Issue

CHENG RAN, Mongrel and Black Kite (Diary of a Madman – Hong Kong), 2017, Multi-video installation, dimensions variable. Installation view of “Diary of a Madman” at Galerie Urs Meil

Beijing: Cheng Ran

TOSHIO MATSUMOTO, For the Damaged Right Eye, 1968, Multi-channel projections of digitalized 16 mm film, with sound by Akiyama Kuniharu: 13 min. Installation view of “Everything Vi

Hong Kong: Toshio Matsumoto

POLIT-SHEER-FORM OFFICE, Our Red Packet for Your Favorite Blue, 2017 Ready-mades, dimensions variable. Installation view of the eponymous exhibition at OCT Art & Design Gallery, Sh

Shenzhen: Polit-Sheer-Form Office

ALFREDO AND ISABEL AQUILIZAN, Flight, 2017, Screen print on acetate film with LED light, 115 x 170 x 6.4 cm. Installation view of “Of Fragments and Impressions” at STPI – Creative

Singapore: Isabel and Alfredo Aquilizan

SHARON CHIN, Weeds Series, 2013, Fabric paint and wax crayon on polyester flags, 75 x 154 cm.Courtesy the artist and Ilham Gallery, Kuala Lumpur.

Kuala Lumpur: Ilham Contemporary Forum Malaysia 2009-2017

RAMIN HAERIZADEH, To Be or Not To Be, That is the Question. And Though, it Troubles the Digestion, 2015-17,Mixed media collage on found oil painting and polycarbonate chair with pr

Dubai: Ramin Haerizadeh

HRAIR SARKISSIAN, Horizon, 2016, Two-channel video installation: 6 min 58 sec. Photo by Christopher Baaklini. Courtesy the artist and Kalfayan Galleries, Athens/Thessaloniki.

Beirut: Hrair Sarkissian

CANAN, Bird Woman, 2017, Installation with natural stone and stone carvings, dimensions variable.Installation view of “Behind Mount Qaf” at Arter – Space for Art, Istanbul, 2017.Ph

Istanbul: Canan

AMAR KANWAR, Such a Morning, 2017, Single-channel video installation with color and sound: 85 min.Installation view of “Such a Morning” at Marian Goodman Gallery, London.Copyright

London: Amar Kanwar

MOATAZ NASR, El Shaab (The People), 2012, Twenty-five ceramic figures, 27 x 6 x 10 cm each.Courtesy Barjeel Art Foundation, Sharjah.

Annandale-On-Hudson: No to the Invasion: Breakdowns and Side Effects

LIN TIANMIAO, Protruding Patterns, 2014, Wool thread, yarn, acrylic, dimensions variable.Installation view of “Protruding Patterns,” at Galerie Lelong, New York, 2017.Copyright the

New York: Lin Tianmiao

AMIR H. FALLAH, Split Between Faraway Lands, 2017, Acrylic on canvas, 122 x 122 cm.Courtesy the artist and Shulamit Nazarian, Los Angeles.

Los Angeles: Amir H. Fallah

STATE OF EMERGENCY II: THE 4TH WALL, By Noh Suntag, Published by Art Sonje Center, Seoul, 2017. Softcover, 263 pages.DELIRIUM AND RESISTANCE: ACTIVIST ART AND THE CRISIS OF CAPITAL

BOOK REVIEWS: Art and Resistance

Husband-and-wife artist duo Tun Win Aung and Wah Nuon the rooftop balcony of their home-studio.

Tun Win Aung and Wah Nu