Issue

TEPPEI KANEUJI, Games, Dance and the Constructions (Singapore) #10-C, 2013, screen print, archival ink jet print, plexiglas and cotton rag paper, 94.5 × 94.5 × 4.5 cm. Courtesy Ros

Vivid Conditions

PRANEET SOI, “…the axis of geography as against the axis of history . . .”, 2016. A portrait of Jean-Pierre Gorin. Pencil on paper, 29 x 21 cm. Courtesy the artist.

ONE ON ONE: Praneet Soi on Jean-Pierre Gorin

View of Kuala Lumpur, Malaysia, with the Petronas Twin Towers in the distance. Photo by Zukiman Mohamad.

DISPATCH: Kuala Lumpur

Illustration by Lisk Feng.

THE POINT: Art-Making in a Troubled World

JASON LAM and SAMPSON WONG, Countdown Machine, 2016. Animation on the International Commerce Centre, Hong Kong, 2016. Photo by Jason Lam.

Only Numbers

SAJAN MANI, Secular Meat, 2016, two-hour performance at Sunaparanta-Goa Centre for the Arts, Goa, 2016. Courtesy the artist.

Indian Artivism

Portrait of Wang Guangle. Photo by Michael Young for ArtAsiaPacific.

Wang Guangle

Portrait of Aditya Pande. Photo by Hemant Sareen. Courtesy the artist.

Aditya Pande

Portrait of Le Brothers. Courtesy the artists.

Le Brothers

Untitled, 2015, oil on canvas, 36 x 46 cm. Courtesy Galerie Lelong, Paris/New York.

Etel Adnan: Every One of Us is a Radio Transmitter

WHITE DISCHARGE (18 FIGURES), 2012, wood, plastic, steel and resin, 52 x 82 x 30 cm. Photo by Yusuke Nishimitsu. Courtesy the artist and ShugoArts, Tokyo.

Teppei Kaneuji: Freedom in Forms

AFTER IMAGE - THAT IS NO MAN, 2010, oil on canvas, 200 x 280 cm.

Juan Davila: Toward or Away from Reality

NEDKO SOLAKOV, A Life (Black & White), 1998– , black and white paint, two workers/ painters constantly repainting the walls of the exhibition space in black and white for the entir

INSIDE BURGER COLLECTION: Nedko Solakov

Installation view of “The Eighth Climate (What Does Art Do?),” Gwangju Biennale 11, 2016 with (upper left) AGNIESZKA POLSKA’s digital print The Glass of Petrol, 2015. Courtesy Gwan

Gwangju: Gwangju Biennale 11