Issue

Portrait of Ross Manning. Photo by Carl Warner. Courtesy Milani Gallery, Sydney.

Ross Manning

Portrait of Cian Dayrit. Photo by Veronica Lazo. Courtesy the artist.

Cian Dayrit

NO. 680, 2016, set of 50 paintings, acrylic paint on MDF, 80 x 25 x 4 cm each. Photo by Philip White. Unless stated otherwise, all images courtesy the artist and The Third Line, Du

Rana Begum: Simply Put

DEADEND STREET, 1978, photo emulsion and acrylic on canvas and wood, 94 x 290 cm.Copyright Kunié Sugiura. Courtesy Leslie Tonkonow Artworks + Projects, New York.

Kunié Sugiura: Becoming Image

Still from BLUE AND RED, 2014, single-channel HD video with color and sound: 25 min 14 sec. Produced by Han Nefkens Foundation-BACC Award for Contemporary Art. Unless otherwise sta

Zhao Tao: Beyond Geography Lies the Truth

KRIS MARTIN, Plate with Milk, 2005, mixed media, 2.5 x 16.5 cm in diameter. Photo by Achim Kukulies. Courtesy the artist and Sies + Höke, Düsseldorf.

INSIDE BURGER COLLECTION: A Plate with Milk

OLAFUR ELIASSON, Green Light – An Artistic Workshop, 2017.Photo by Francesco Galli. Courtesy La Biennale di Venezia, Venice.

Venice: 57th Venice Biennale

Sydney: Familiar Stranger

BLACK GUM 1, from the “Australian Graffiti” series, 2007, Lambda print, 100 x 100 cm.Courtesy the artist; Sarah Scout Presents, Melbourne; and Michael Reid, Sydney and Berlin.

Melbourne: Christian Thompson

CHEN CHENCHEN, The Mercy of Not Killing, 2017, site-specific installation, mixed media, dimensions variable.Courtesy the artist and Ullens Center for Contemporary Art, Beijing.

Beijing: The New Normal

Installation view of “I Am What I Am: Performing Cantopop” section, “Ambiguously Yours: Gender in Hong Kong Popular Culture” at M+ Pavilion, Hong Kong, 2017. Courtesy M+, Hong Kon

Hong Kong: Ambiguously Yours

AHMAD MOUALLA, People and Power (detail), 2011, oil on canvas, 300 x 1200 cm. Courtesy Atassi Foundation, Dubai.

Dubai: Syria: Into The Light

Installation view of “But We Cannot See Them: Tracing a UAE Art Community, 1988–2008” with work by VIVEK VILASINI in the foreground, at New York University Abu Dhabi Art Gallery, A

Abu Dhabi: But We Cannot See Them: Tracing A UAE Art Community, 1988–2008

RASHEED ARAEEN, Shamiyaana–Food for Thought: Thought for Change, 2016–17, canopies with geometric patchwork, cooking and eating, dimensions variable.Photo by Yiannis Hadjiaslanis.

Athens: Documenta 14