Issue

Portrait of Ramesh Mario Nithiyendran.Photo by Michael Young for ArtAsiaPacific.

Ramesh Mario Nithiyendran

EINS UN EINS, 2006, documentation of performance at Pearl Lam Galleries, Singapore, 2016.Unless otherwise stated, all images copyright and courtesy the artist.

Melati Suryodarmo: The World Within

TABLE, 2007, wood sculpture, 120 x 73.5 x 90 cm.Unless otherwise stated, all images courtesy the artist and Tina Kim Gallery, New York.The word sculpture became harder to pronounce

Chung Seoyoung: Mind Body Ghost

Installation view of MY EAST IS YOUR WEST, 2015, at “My East is Your West”at Palazzo Benzon, 56th Venice Biennale, Venice, 2015. Photo by Mark Blower.Courtesy Gujral Foundation.

Rashid Rana: Distorting Dimensions

Installation view of JITISH KALLAT’s Epilogue, 2011, 753 pigment prints on archival paper, 31.7 x 39.4 cm each, at Art Basel’s Art Unlimited sector, Basel, 2012. All images courtes

Inside Burger Collection: A Question of Time

PEDRO GÓMEZ-EGAÑA, Domain of Things, 2017, Metal structure, wooden panels, furniture, sound and performance, dimensions variable. Installation view of the 15th Istanbul Biennial, I

Istanbul: 15th Istanbul Biennial

RODEL TAPAYA, Adda Manok Mo, Pedro? (Do You Have a Rooster, Pedro?), 2015–16, Acrylic on canvas, 300 x 700 x 5 cm.Photo by Christopher Snee. Copyright the artist. Courtesy Art Gall

Sydney: Passion and Procession

YOSHITOMO NARA, Romantic Catastrophe,1988, Acrylic and colored pencil on canvas, 117 x 91 cm.Courtesy Yoshitomo Nara Studio, Tokyo.

Toyota: Yoshitomo Nara

KOO JEONG A, Installation view of Mysteriousss and Curiousssa, both 2017, at “Ajeongkoo,” Art, Sonje Center, Seoul, 2017. Photo by Sang Tae Kim. Courtesy Art Sonje Center.

Seoul: Koo Jeong A

TOMÁS SARACENO, Installation view of “Our Interplanetary Bodies”, at Asia Culture Center, Gwangju, 2017. Photo by Swan Park. Courtesy Asia Culture Center.

Gwangju: Tomás Saraceno

WU TSANG, Duilian, 2016, Production still. Photo by Ringo Tang.Courtesy the artist and Galerie Isabella Bortolozzi, Berlin.

Taipei: Spectrosynthesis

ZHOU TIEHAI, Will/We Must, 2017, Acrylic on newspaper collage mounted on paper, 210 x 457 cm. Courtesy Yuz Foundation, Shanghai.

Shanghai: Zhou Tiehai

NORBERTO ROLDAN, Holy War, 2016, Two-panel wall installation with old carpets, wooden crosses from demolished architectural debris, beeswax and lighting fixture, 162 x 447 cm.Court

Manila: Notberto Roldan

CHENG RAN, Mongrel and Black Kite (Diary of a Madman – Hong Kong), 2017, Multi-video installation, dimensions variable. Installation view of “Diary of a Madman” at Galerie Urs Meil

Beijing: Cheng Ran