Issue

View of Bangkok at night. Photo by Benh Lieu Song.

DISPATCH: Bangkok

Illustration by Chloe Bennett.

THE POINT: Narrating Syria Through Family-Run Arts Patronage

HO FAN, Sun Rays, 1959. Courtesy Blue Lotus Gallery, Hong Kong.

Culture of Reappearance

Portrait of IAN HOLLIDAY at his office in Hong Kong. Photo by Jessica Keung for ArtAsiaPacific.

Ian Holliday

Portrait of Ross Manning. Photo by Carl Warner. Courtesy Milani Gallery, Sydney.

Ross Manning

Portrait of Cian Dayrit. Photo by Veronica Lazo. Courtesy the artist.

Cian Dayrit

NO. 680, 2016, set of 50 paintings, acrylic paint on MDF, 80 x 25 x 4 cm each. Photo by Philip White. Unless stated otherwise, all images courtesy the artist and The Third Line, Du

Rana Begum: Simply Put

DEADEND STREET, 1978, photo emulsion and acrylic on canvas and wood, 94 x 290 cm.Copyright Kunié Sugiura. Courtesy Leslie Tonkonow Artworks + Projects, New York.

Kunié Sugiura: Becoming Image

Still from BLUE AND RED, 2014, single-channel HD video with color and sound: 25 min 14 sec. Produced by Han Nefkens Foundation-BACC Award for Contemporary Art. Unless otherwise sta

Zhao Tao: Beyond Geography Lies the Truth

KRIS MARTIN, Plate with Milk, 2005, mixed media, 2.5 x 16.5 cm in diameter. Photo by Achim Kukulies. Courtesy the artist and Sies + Höke, Düsseldorf.

INSIDE BURGER COLLECTION: A Plate with Milk

OLAFUR ELIASSON, Green Light – An Artistic Workshop, 2017.Photo by Francesco Galli. Courtesy La Biennale di Venezia, Venice.

Venice: 57th Venice Biennale

Sydney: Familiar Stranger

BLACK GUM 1, from the “Australian Graffiti” series, 2007, Lambda print, 100 x 100 cm.Courtesy the artist; Sarah Scout Presents, Melbourne; and Michael Reid, Sydney and Berlin.

Melbourne: Christian Thompson

CHEN CHENCHEN, The Mercy of Not Killing, 2017, site-specific installation, mixed media, dimensions variable.Courtesy the artist and Ullens Center for Contemporary Art, Beijing.

Beijing: The New Normal