Issue

Portrait of Jam Acuzar.Courtesy Bellas Artes Projects, Bagac/Makati.

Jam Acuzar

Portrait of Penelope Seidler. Photo by Michael Young for ArtAsiaPacific.

Penelope Seidler

The artist and FROG KING AND PERPETUITY, 1977, installation with eggs, wood, ceramics dishes and mixed media, dimensions variable, at “Art Show: Hong Kong Arts Centre Inaugural Exh

Kwok Mang-Ho: Perpetual Rebel

ROCKS II, 2016, acrylic, gouache and pastel on paper, 80 x 120 cm. Courtesy the artist.

Jumana Emil Abboud: Spirits That Possess Homelands

Inside Burger Collection: The Artist As Mirror Holder

Inside Burger Collection: The Artist As Mirror Holder

QIU ZHIJIE, Map of “Art and China after 1989: Theater of the World”, 2017Six panels of ink on paper mounted on silk, 240 x 720 cm.Courtesy the artist and Solomon R. Guggenheim Muse

Art and China After 1989: Theater of the World

MONTIEN BOONMA, Salas for the Mind, 1995Steel and graphite, dimensions variable.Installation view of “Problem-Wisdom: Thai Art in the 1990s” at Queensland Art Gallery | Gallery of

Brisbane: Problem-Wisdom

LISA REIHANA, In Pursuit of Venus [Infected], 2015–17Single-channel 16K ultra-HD video with color and sound: 64 min.Installation view of “Lisa Reihana | Cinemania” at Campbelltown

Sydney: Lisa Reihana

KELVIN KYUNG KUN PARK, Army: 600,000 Portraits, 2016Still from two-channel video installation with color and sound: 17 min 30 sec. Courtesy the artist.

Taichung: Sixth Asian Art Biennial

FRANCIS ALŸS, Paradox of Praxis I: Sometimes Making Something Leads to Nothing, 1997Still from single-channel video with color and sound: 9 min 54 sec.Copyright the artist. Courtes

Seoul: Reenacting History

NAM JUNE PAIK, Easy Rider, 1995Televisions, bicycle, neon lamp and steel structures, 164 x 148 x 180 cm.Installation view of “Lettres du Voyant” at HOW Art Museum, Shanghai, 2018.P

Shanghai: Joseph Beuys and Nam June Paik

YIN XIUZHEN, Message Undelivered, 2017Foam, stainless steel pipes, muffler and exhaust system, 280 x 280 x 151 cm.Installation view of “Back to the End” at Pace, Beijing, 2017–18.P

Beijing: Yin Xiuzhen

ZHANG YANZI, Tianwang Buxin Dan, 2014–15Album of 12 paintings, ink, color pigment and Chinese medicine on paper, 44.8 x 567.3 cm.Courtesy M+, Hong Kong

Hong Kong: The Weight of Lightness

NIKHIL CHOPRA, Land Water, 2017Installation and eight-hour performance with 20 kilograms of mud, 20 kilograms of rice and 20 liters of water, dimensions variable.Installation view

Jakarta: Jakarta Biennale 2017