Issue

DEL KATHRYN BARTON, To Speak of Anger, I Will Take Care, 2017Acrylic and archival pigment ink on rag, 198 x 140 cm.Courtesy the artist and Albertz Benda, New York.

New York: Del Kathryn Barton

AN TE LIU, The Party’s Over, 2017 Cast bronze, diameter of 30.5 cm.Courtesy the artist and Anat Egbi, Los Angeles.

Los Angeles: An Te Liu

(Top) THE STAKES OF EXPOSURE: ANXIOUS BODIES IN POSTWAR JAPANESE ART,By Namiko Kunimoto, Published by the University of Minnesota Press, Minnesota, 2017.Softcover with black-and-wh

BOOK REVIEWS: Where was Radicalism?

Chung Seoyoung

Chung Seoyoung

TEAMLAB, Ever Blossoming Life Waterfall – Deep in the Mountains of Shikoku, 2016–17, digitized natural area in Shikoku with sound by Hideaki Takahashi. Courtesy TEAMLAB.

Site Specificities

Illustration by Eric Chow

THE POINT: Another Side of Patronage

ZHANG HUAN. 12 Square Meters, 1994. Documentation of a 40-minute performance. Courtesy the artist.

ONE ON ONE: Khvay Samnang on Zhang Huan

Dispatch: Shenzhen: Up and coming

Installation view of MART A MINUJÍN’s The Parthenon of Books, 2017, steel, books and plastic sheeting, 19.5 x 29.5 x 65.5 m, at Friedrichsplatz, Kassel, 2017. Photo by Roman März.

Athens & Kassel: Documenta 14

PARK CHAN-KYONG, Citizen's Forest (still), 2016, three-channel video with ambisonic 3D sound: 26 min 6 sec.Courtesy Art Sonje Center and Kukje Gallery, Seoul.

Seoul: Park Chan-kyong

Liu Jianhua in his studio in Taopu, Shanghai.

Where I Work: Liu Jianhua

1997 Hong Kong calendar, © Pop Products, Taiwan.

Hong Kong: The view from abroad

KUNIÉ SUGIURA, Namu (2), 1994, unique toned gelatin silver print, 102 x 77 cm. Copyright Kunié Sugiura. Courtesy Leslie Tonkonow Artworks + Projects, New York.

Slow Down, Look Closer

Installation view of ANTHONY CARO’s Lock (1962) at Barford Sculptures, London, 2017. Courtesy Barford Sculptures Ltd. and the artist. Photo by John Hammond.

ONE ON ONE: Rasheed Araeen on Anthony Caro