Issue

MARWAN KASSAB-BACHI, Das Licht, 1973, oil on canvas, 130 x 195 cm. Courtesy Galerie Michael Haas, Berlin.

Berlin: Marwan

LATIFF MOHIDIN, Still Life 62, 1962, acrylic on board, 37.8 x 67.7 cm. Courtesy the artist.

Paris: Latiff Mohidin

SEUNG-TAEK LEE, Untitled, 2017, rope on canvas, 135 x 175 cm. Courtesy the artist; Gallery Hyundai, Seoul; and White Cube, London/Hong Kong.

London: Seung-taek Lee

HIWA K, Pre-Image (Blind as the Mother Tongue), 2017, still of single-channel HD video with color and sound: 18 min.Courtesy the artist; KOW, Berlin; and Prometeogallery by Ida Pis

New York: Hiwa K

TANG CHANG, Installation view of “The Painting that is Painted with Poetry is Profoundly Beautiful” at Smart Museum of Art, Chicago, 2018. Courtesy Smart Museum of Art.

Chicago: Tang Chang

SHOJA AZARI, Icon #1-5, 2010. Video loop on Blu-ray: 4 min. Installation view of “In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art” at Los Angeles C

Los Angeles: In the Fields of Empty Days

SEEING SLOWLY: LOOKING AT MODERN ART By Michael Findlay. Published by Prestel. Munich/London/New York, 2017. Hardcover with full-color illustrations, 247 pages.HIROSHI SUGIMOTO: PO

BOOK REVIEWS: Looking Anew

Emre Hüner behind the desk of his Istanbul studio, with a test screenprint from a 2017 residency behind him.

Emre Hüner

ArtAsiaPacific 25th anniversary issue!

ArtAsiaPacific 25th anniversary issue!

Young & Emerging: New Bodies and Biologies

HON CHI-FUN, Karma Pass, 1987, acrylic on canvas, 132.5 × 132.5 cm. Courtesy the artist and Ben Brown Fine Arts, Hong Kong/London.

Ways of Marking Time

SLAVS AND TATARS, To No One, 2018Mimeograph print, 59 x 42 cm. Courtesy the artists.

ONE ON ONE: Slavs and Tatars on Johann Georg Hamann

DISPATCH: Pyongyang

DISPATCH: Pyongyang

Illustration by Kat J. Weiss

THE POINT: The Alternatives