Ideas

The Khalil Sakakini Cultural Center on Raja Street in Ramallah, which hosted the talks and some performances in the program of “Shifting Ground: The Underground Is Not the Past,” t

Sharjah Biennial 13: Ramallah, “Shifting Ground: The Underground Is Not the Past” (Part 1)

ALI KAZMA,

Learning from Bayt al-Hikma

Highlights from Yokohama Triennale 2017

SHEELASHA RAJBHANDARU and HIT MAN GURUNG at Spring Workshop, Hong Kong. Photo by Sonia Yu for ArtAsiaPacific.

To Be Wise and Helpful: Interview with Hit Man Gurung and Sheelasha Rajbhandari

XINING MEN, Chapter 4: I Love Xijing – The Daily Life of Xijing Presidents, 2009, mixed media installation, dimensions variable. Courtesy Culture City of East Asia 2017 Kyoto.

AAP MONTHLY PICKS: AUGUST–SEPTEMBER 2017

CHENG RAN in his studio, Hangzhou, 2017. Photo by Michael Young for ArtAsiaPacific.

The Madman can be Anybody: Profile of Cheng Ran

Portrait of GAYLORD CHAN in his studio. Courtesy the artist.

Painting at 90: Interview with Gaylord Chan

*MATTHEW DARBYSHIRE*’s _Untitled: Furniture Island No. 4_ (2009) stands before *JESSE DARLING*’s curiously sinister _March of the Valedictorians_ (2016) in the Longside Gallery. Al

A Walk in the Park: “Occasional Geometries” at Yorkshire Sculpture Park

Entrance to the Experimenter Curators' Hub 2017, Kolkata, India. All photos by Kevin Jones for ArtAsiaPacific.

Curating the Curator: The 7th Edition of the Experimenter Curators’ Hub

Sketch Town: TeamLab in Hong Kong

TUAN ANDREW NGUYEN, The Irony of Worship, 2017, wood, metal, neon, LED lights and plastic, 210 x 64 x 65 cm. Photo by Peter Augustus Owen for ArtAsiaPacific.

July Roundup: Notes from Nippon

Installation view of *SUN XUN*'s _Time Spy_ at Times Square, New York. Photo by Charles Roussel. Courtesy Sean Kelly, New York.

Limitless Time and Ever-expansive Space: Sun Xun’s Time Spy at Times Square, New York

Design Blog: In Drawings

Portrait of LIN YILIN. Courtesy the artist.

On the Tracks of Canton Express: Interview with Lin Yilin