Ideas

*HOU CHUN-MING*, _Man Hole_, 2014–16, oil pastel on paper, 13 sets of two, 237 x 55 cm each. All photos by Brady Ng for _ArtAsiaPacific_.

Rain Brings Rainbows: “Spectrosynthesis” at MOCA Taipei

General view of the 2017 Sydney Contemporary art fair. All photos by Michael Young for _ArtAsiaPacific_.

Highlights from Sydney Contemporary 2017

Exterior of the Pera Museum, in the Pera district of Beyoğlu, and one of the venues of the 15th Istanbul Biennial. Courtesy the Istanbul Foundation for Culture and Arts.

Preview: 15th Istanbul Biennial and Around

Portrait of *AVANI TANYA*. Courtesy the artist.

Reimagining Collections: Profile of Avani Tanya

Portrait of BUDI TEK. Courtesy Yuz Museum, Shanghai.

Legacies: Profile of Budi Tek

_(With) Without Records_ (2017) is the continuation of a collaborative artwork *YOSHIHIDE OTOMO* has led since 2005, with this iteration created with the input of *AOYAMA YASUTOMO

Highlights from Sapporo International Art Festival 2017

Taiwanese artist TING-TING CHENG staged an incredibly moving installation, On The Desert Island (2017) at Iniva’s Stuart Hall Library.
All photos by Ned Carter Miles for ArtAsiaPac

Meeting Stuart Hall’s Eyes: Ting-Ting Cheng’s “On the Desert Island”

*CHOI JEONGHWA*, _Alchemy_, 2015, plastic bowls, LED, iron stand, dimensions variable.

August Roundup: Notes from Nippon

At the

Fusing Identities: When South is North

Portrait of ENOCH CHENG. Courtesy the artist.

Press Play When You’re Ready: Profile of Enoch Cheng

The earth in an undeveloped plot of land in Ramallah, near the Khalil Sakakini Cultural Center, where the third off-site project of the Sharjah Biennial 13, “Shifting Ground: The U

Sharjah Biennial 13: Ramallah, “Shifting Ground: The Underground Is Not the Past” (Part 2)

Portrait of SHANNON TE AO. Photo by Jane Wilcox. Courtesy the artist.

A Wakeful Vigil: Profile of Shannon Te Ao

The custom-made neon sign of “Very Hong Kong Very Hong Kong” at Hong Kong City Hall married nostalgia with contemporary design. All photos by Julee WJ Chung for _ArtAsiaPacific_.

Say It Twice: Very Hong Kong Very Hong Kong

*CAI GUO-QIANG*’s massive _Bonsai Ship_ (2017) repurposes a previous work by the artist from a pond in Nara made for the Culture City of East Asia exhibition in 2016. The tradition

Highlights from Asia Corridor Contemporary Art Exhibition 2017