Ideas

ArtAsiaPacific designer WINKY TSANG's rubber plate print Face Lock (2018) references a 50-year-old text to comment on our need for social acknowledgement.

Imaginary Scenery

KINGSLEY NG, After the Deluge, 2018, site specific installation and soundwalk. Photo by Esther Chan for ArtAsiaPacific.

Universal Myths: Kingsley Ng’s After The Deluge

Portrait of SHEN YUAN and HUANG YONG PING. Photo by Brady Ng for ArtAsiaPacific.

No Looking Back: Profile of Huang Yong Ping and Shen Yuan

Bi-City Biennale of UrbanismArchitecture (UABB) 2017 curator Meng Yan leading the media preview around Nantou Old Town. Courtesy UABB, Shenzhen.

A Dose of Chaos: The 7th Bi-City Biennale of UrbanismArchitecture

Biennale of Sydney Archive Stories #3

Biennale of Sydney Archive Stories #2

Biennale of Sydney Archive Stories #1

Portrait of SHEELA GOWDA. Courtesy West Kowloon Cultural District Authority, Hong Kong.

Expanding Perspectives: Interview With Sheela Gowda

In the humid climates of April 2016, wild fungi began to sprout from the green carpet of ESKYIU’s Industrial Forest (2013), while contact between the slender copper sticks created

Till We Meet Again: Spring Workshop

Parallel Worlds

Parallel Worlds

Interior stairs of The Bunker leading to six small underground rooms, which house *ZHANG PEILI*'s experiential installation _Unsuitable Place to Stay_ (2017). Courtesy The Bunker,

Caught in the Dark: Zhang Peili’s “No Network”

Portrait of ALVARO CATALÁN DE OCÓN. Courtesy MILL6 Foundation, Hong Kong.

Waste Not: Interview with Alvaro Catalán de Ocón

Rice is Socialism: North Korea’s Public Face

Rice is Socialism: North Korea’s Public Face

Exterior of the Sea World Culture and Arts Center where Design Society is located, Shekou, 2017. Courtesy Design Society.

Critical Pairings: First Look at Design Society