Ideas

Portrait of MINSTREL KUIK. Photo by Liew Kwai Fei. Courtesy the artist.

Old Wave Brings Empty Shells: Interview with Minstrel Kuik

Portrait of *MICHAËL BORREMANS*. Photo by Tim Dirven. Courtesy the artist and David Zwirner, New York / London / Hong Kong.

Holding Up A Mirror: Interview With Michaël Borremans

Portrait of Miwako Tezuka. Photograph by Elsa Ruiz. Courtesy Miwako Tezuka and Asia Society Hong Kong Center.

Calling for Love: Interview with Miwako Tezuka

Portrait of MANUEL PELMUŞ. Photo by Eddie CY Lam. Courtesy Image Art Studio.

Repeated Movement: Interview with Manuel Pelmus

Portrait of *MARGARET LEE*. Courtesy the artist.

Redefining Desire: Interview with Margaret Lee

This monumental 300 × 690 cm painting by Korean artist HYUNG KOO KANG titled Self Portrait (2010), presented by the Tiroche DeLeon Collection, is positioned by the exit at the Sand

Highlights from Art Stage Singapore 2018

Portrait of SONG SANGHEE. Courtesy the National Museum of Modern and Contemporary Art, Seoul.

Delving Deep: Interview with Song Sanghee

Portrait of *KELVIN KYUNG KUN PARK*. Courtesy the artist and the National Museum of Modern and Contemporary Art, Seoul.

Steel, Troops and Robots: Interview with Kelvin Kyung Kun Park

Portrait of *NABIL NAHAS*. Courtesy the artist and Ben Brown Fine Arts, London/Hong Kong.

A Sea of Stars: Interview with Nabil Nahas

On December 13, 2017, Biennale of Sydney (BoS) artistic director Mami Kataoka sat down with three guests—Judy Annear, Anthony Bond and Penelope Seidler—for a discussion in Biennale

Biennale of Sydney Archive Stories #5

Portrait of *RASHEED ARAEEN*. Photo by Socrates Mitsios. Courtesy the artist and Van Abbemuseum, Eindhoven.

Structures, Struggles and Collective Creativity: Interview with Rasheed Araeen

SEHER SHAH and RANDHIR SINGH, Studies in Form – Akbar Bhavan #20, 2017, cyanotope monoprint on Arches Aquarelle paper, 76 x 56 cm. Courtesy the artists; Samdani Art Foundation, Dha

AAP MONTHLY PICKS: JANUARY–FEBRUARY, 2018

Installation view of “Fold: Golden Venture Paper Sculptures” at New York’s Museum of Chinese in America, New York, 2017. All images courtesy the artists and Museum of Chinese in Am

Beyond the Fold: The Art of Refugees

ArtAsiaPacific designer WINKY TSANG's rubber plate print Face Lock (2018) references a 50-year-old text to comment on our need for social acknowledgement.

Imaginary Scenery