Ideas

Japanese artist HAROSHI’s carved wood sculptures Spiral Apple, Guzo (_1810) and Guzo (_1811) (both 2018), are made from polychromed skateboard decks, and were on view at the booth

Highlights from Art Cologne 2018

Portrait of SHU LEA CHEANG. Photo by J. Jackie Baier. All images courtesy the artist unless otherwise stated.

Decades in the Making: Interview with Shu Lea Cheang

Installation view of *YE YONGQING*'s Silk Big Poster, 1994, silk and acrylic, dimension variable, at Sichuan Art Museum, Chengdu. Courtesy the artist and Yuz Foundation.

AAP MONTHLY PICKS: April–May, 2018

Japanese painter MIWA KOMATSU, represented by Whitestone Gallery (Tokyo, Karuizawa, Hong Kong and Taipei), conducting her first “live-painting performance” in the United States dur

Highlights from Dallas Art Fair 2018

The Khirkee Storytelling Project is an umbrella for a range of media-sharing and community broadcast activities, including _Khirkee Talk Show_. All images courtesy Khirkee Storytel

Mapping Through Media: Khirkee Storytelling Project

Portrait of NUR SHKEMBI (left) and KHALED SABSABI (right). Courtesy the artists.

Like A Ray Of Light: Interview With Eleven

RYOTA UNNO, Hong Kong Life, 2018, mineral pigments (iwa-enogu), acrylic and gold foil on Japanese paper, 160 x 320 cm. Installation view at the booth of Art Projects Gallery (Hong

Highlights From Art Central 2018

Portrait of DOUG AITKEN. Photo by Ami Sioux. Courtesy the artist and Massimo De Carlo, Hong Kong / Milan / London.

Interview with Doug Aitken

*HAJRA WAHEED* performing Hold Everything Dear at March Meeting 2018, Sharjah. All images by Ysabelle Cheung for ArtAsiaPacific.

Field Trip: March Meeting 2018 (Day 3)

Portrait of MINZAYAR OO. Courtesy the artist and Charbon Art Space, Hong Kong.

The Artistry of Documentation: Interview with Minzayar Oo

MARIO SANTANILLA's Vertigo of a Sunset, performed at March Meeting 2018. All images by Ysabelle Cheung for ArtAsiaPacific.

Field Trip: March Meeting 2018 (Day 2)

March Meeting 2018 aimed to discuss the ways in which artists, curators and other practitioners use the forms of organizations or institutional spaces as modes of resistance. In th

Field Trip: March Meeting 2018 (Day 1)

Finnish artist *EIJA-LIISA AHTILA*’s _Potentiality for Love_ (2018), displayed at the Art Gallery of New South Wales, was an expansive moving-image work, screened over 22 superimpo

Highlights from The Biennale of Sydney 2018

*PAOLA PIVI*, _Have You Seen Me Before_, 2008, polyurethane foam, feathers, plastic, wood and steel, 200 x 108 x 100 cm. Courtesy Fondazione Sandretto Re Rebaudengo, Turin.

AAP MONTHLY PICKS: March–April, 2018