Ideas

MOE SATT, F n' F (Face and Fingers), documentation of performance at

Creative Alchemy: ACAW’s Field Meeting Take 6

Portrait of *MARCEL DZAMA*. Courtesy David Zwirner, Hong Kong / New York / London.

Drawing Other Worlds: Interview with Marcel Dzama

Portrait of *KOKI TANAKA*. Photo by Daifu Motoyuki. All images courtesy the artist, Vitamin Creative Space, Guangzhou and Aoyama Meguro, Tokyo.

Vulnerable Histories: Interview with Koki Tanaka

Installation view of *BABI BADALOV*'s For The Wall, For The World, 2016, acrylic on canvas, 8 x 5 m, at “For The Wall, For The World,” Palais de Tokyo, Paris, 2016. Courtesy artist

AAP Monthly Picks: February–March 2019

Portrait of MORGAN WONG. Courtesy the artist.

Conditions and Predicaments of Time: Interview with Morgan Wong

Installation view of Art Stage Singapore, 2018. Photo by Lucas Schifres. Courtesy Art Stage.

The Fall of Art Stage

*SHANTHAMANI MUDDAIAH* creates a striking work that is at once organic and formally precise in _Fire Script_ (2018), presented at the booth of Gallery Sumukha (Bengaluru).

Roundup From India Art Fair 2019

Portrait of *WANG GUANGLE*. All images courtesy Pace Gallery, New York / London / Beijing / Hong Kong / Palo Alto / Seoul / Geneva.

Seeing Beyond Red: Interview with Wang Guangle

Installation view of JUN YANG's

Book Review: The Monograph Project, Jun Yang

*SHOOSHIE SULAIMAN* turned Tomio Koyama Gallery’s whole booth at the inaugural SEA Focus fair into an installation covering the floor with soil and plants. A series of five portrai

Roundup From SEA Focus 2019

XIAO LU, One, 2015, documentation of live performance on September 5, 2015 at Valand Academy, University of Gothenburg. Photo by Lin Qijian. Courtesy the artist.

AAP Monthly Picks: January–February 2019

Installation view of Art Stage Singapore 2017. Courtesy Art Stage Singapore.

What To Do Now: The Cancellation of Art Stage Singapore

*CHOU SHIH HSIUNG*'s large-scale installation 100 Faces of Youth (2019), presented by Each Modern gallery, was shunted off, rather unusually, toward the storage area of the fair. T

Roundup from Taipei Dangdai

Installation view of SHEN AIQI's Vines in Early Spring, 2016, ink on paper, 245 x 622.5 cm, at the artist's solo exhibition, Donghu Shan Art Museum, Wuhan, 2018–19. Photo by Gao Yu

Field Trip: Wuhan’s Donghu Shan Art Museum