The Editors

Installation view of <b>SIMRYN GILL</b>'s <i>Maria's Garden</i>, 2021, ink on paper, 240 x 48 cm each, at

Issue

Up Close: Simryn Gill

HG Masters

Installation view of <b>OUM JEONGSOON</b>'s <i>Elephant Without a Trunk</i>, 2022, iron sheet and wool tapestry, 300 x 274 x 307 cm, at the 14th Gwangju Biennale, 2023. Photo by Ch

Issue

Up Close: Oum Jeongsoon

Tiffany Luk

Installation view of <b>OLAF NICOLAI</b>'s <i>How to fancy the light of a candle after it is blown out</i>, 2018, UV light, photoluminescent color, 100 x 100cm, at Taipei Dangdai,

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Art Fair Report: Hype Dance

The Editors

<b>KONGKEE </b>and <b>DRAGON'S DELUSION WORKSHOP</b>, <i>Qu Yuan, Dragons's Delusion-Assasination, </i>2018, still from video: 10 min 37 sec. Copyright the artist. Courtesy the art

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Chicago: Kongkee

Maria Romanova

<b>PRIYAGEETHA DIA</b>, <i>Landware</i>, 2022, still from video: 5 min 30 sec. Courtesy NTU Center for Contemporary Art, Singapore.

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New Currents: Priyageetha Dia

Tong Tung Yeng

<b>MEDINA BAZARGALI </b>and <b>KOKONJA</b>, <i>will there be freedom then? (erkindik bola ma eken sol kezde?)</i>, 2023, multimedia installation with hand tufted felt and computer

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New Currents: Medina Bazarğali

Tiffany Luk

<b>TAKASHI MURAKAMI</b>, <i>I open wide my eyes but see no scenery. I fix my gaze upon my heart</i>, 2007, acrylic and platinum leaf on canvas mounted on panel, 242.6 x 282cm. Copy

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Auction Report: Flagging Hopes

The Editors

Portrait of <b>AKI SASAMOTO</b>. Photo by Takehiro Iikawa. Courtesy the artist and Calder Foundation, New York.

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134 News Roundup: Awards, Obituaries

The Editors

<b>KYUNG-ME</b>, <i>The Marriage</i>, 2022, ink and charcoal on paper, 81.3 x 121.9 cm. Courtesy the artist.

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New Currents: Kyung-Me

Grace Jefferd

Detailed installation view of <b>TAREK ATOUI</b>'s <i>The Elemental Set</i>, 2019-23, ceramic, percussion instruments, water systems, sound, and electronic components, dimensions v

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Tarek Atoui: Sounds Unlikely

Sounds Unlikely Pamela Wong

*IMAN RAAD*, <i>Days of Bliss and Woe: A Third Language</i>, 2018/22, synthetic polymer paint on plywood and timber, 115 panels, overall dimensions variable. Copyright the artist.

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Brisbane: A Third Language

Hilary Thurlow

*MASAHISA FUKASE*, _91.11.10_ from the _Bukubuku_ series, 1991, gelatin silver print, 42.9 x 28.5 cm. Copyright Masahisa Fukase Archives. Courtesy Tokyo Photographic Art Museum.

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Tokyo: Masahisa Fukase

Emilia Wang

Installation view of *REY CONCEPCION*'s <i>The Last Paper Pinwheel</i>, 2023, serigraphy on acrylic cast sheet paper, wooden pedestal, dimensions variable, at

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Manila: Parched Earth, Ardent Spring

Sean Carballo

*ALIZA NISENBAUM*, <i>In Search of Lost History</i>, 2022, oil on linen, 190.5 x 241.3cm. Photo by Thomas Barratt. Copyright the artist. Courtesy the artist and Anton Kern Gallery,

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14th Gwangju Biennale: soft and weak like water

Pamela Wong

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