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Issue 56

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Issue 56

Nov/Dec 2007

Issue 56

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Issue 56

Nov/Dec 2007 US$ 21.00

Installation view of HUANG RUI's “Texts are the Legacy of Great Thought!” Courtesy Chinese Contemporary, New York.

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New York: Huang Rui

Andrew Maerkle

NAOTO NAKAGAWA, Breaking Event performance, 1971, silver gelatin print, Photo by Tom Haar.

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New York: Naoto Nakagawa

Midori Yoshimoto

CHEN QIULIN, Ellisis’s Series No. 1, 2002, photograph, 57.86 x 86 cm, edition of 8; 82.9 x 122.2 cm, edition of 8, Courtesy the artist and Max Protetch Gallery, New York

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New York: Chen Qiulin

Samir S. Patel

PUSHPAMALA N., The Navrasa Suite, 2000, nine sepia-toned black and white photographs, each 50.8 x 66 cm, Photo by Toni Hafkenscheid, Courtesy Doris McCarthy Gallery.

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Toronto: "Post Object"

Natasha Bissonauth

Ai Weiwei, Template (2007), Julia Zimmermann, documenta GmbH, Photo by Julia Zimmermann

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52nd Venice Biennale and documenta 12

Andrew Maerkle

Film stills from director Daniel Gordon’s film Crossing the Line. Copyright and courtesy VeryMuchSo Productions.

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FILM REVIEW: Crossing the Line

David Frazier

Brought to Light II: Contemporary Australian Art 1966–2006, 2007, Edited by Lynne Seear and Julie Ewington, Published by Queensland Art Gallery, Brisbane, Softcover, 492 pages, ove

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BOOK REVIEW: Brought to Light II

George Alexander

ARMEN ELOYAN, Untitled, 2006, oil on canvas, 120 x 100cm. Courtesy Parasol Unit, London, and Chadha Art Collection, Amsterdam

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PROJECTS IN THE MAKING: Armen Eloyan

Marlyne Sahakian

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Horizontal Collaboration

Elaine W. Ng

SHI XINNING, At the Anonymous Mountain, 2006, oil on canvas, 179 x 359 cm. Courtesy Beijing east-8 Strategic Consulting Company.

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STATE OF THE ART: The Case Of The Readymade Mountain

Chin-Chin Yap

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NEWS: Kolkata Plans Museum Of Modern Art

Beth Citron

HU XIANGCHENG, Arrowhead and Stranger, 2007, arrowhead: aluminum and iron, 900 x 850 x 6500 mm. Total dimensions: 4600 x 1000 x 1200 mm. Courtesy the artist and Hanart TZ Gallery,

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NEWS: Open 2007 Steals Venice Limelight

Jade Takakuwa

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