The Editors

SHAUN GLADWELL, Storm Sequence, 2000, video still. Courtesy the artist and Anna Schwartz Gallery, Melbourne-Sydney.

Issue

NEWS: Australia Announces Resale Royalty Plan

Michael Young

DAYANITA SINGH, Jumping Girl, 1999, black-and-white silver gelatin print, 61 x 76 cm. Courtesy Nature Morte, New Delhi.

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NEWS: Indian Galleries Open in the German Capital

Sarah Stephenson

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NEWS: An Australian Auction House Comes Under

Michael Young

Internationally renowned artist MF HUSAIN, who was cleared of all obscenity charges filed against him by Hindu fundamentalists in 2006.

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NEWS: Indian Modernist Cleared of All Charges

Hanae Ko

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NEWS: Baghad Artists Exhibit Works Made During Wartime

Maymanah Farhat

Installation by Dana Levy at Art TVL 08, Tel Aviv. Courtesy Art TLV, Tel Aviv.

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NEWS: Auspicious Start For New FestivalI n Israel

Simon Castets

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NEWS: Auctions For Hong Kong Non-Profits

Chandan Dubey

WU GUANZHONG, Birch Woods at the Foot of the Changbai Mountains, 1991, ink and watercolor on paper, 68 x 138 cm

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NEWS: Singapore Art Museum Receives Major Gift From Chinese Painter

Christine Ng

HUMA BHABHA, Untitled, 2008, ink on photograph, 13 x 20 in. Collection of Elisabeth Ross Wingate. Courtesy the artist.

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ROUND UP: Voyages of Rediscovery

The Editors

Illustration by Paul Sahre.

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THE POINT: Widening Circles of Influence

David Thorp

ZHANG XIAOGANG, Bloodline: Big Family No. 1, 1994, 150 x 179 cm. Courtesy Sotheby's, Hong Kong.

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AUCTION REPORT: New Market Strategies

Don J. Cohn

Photograph by Hyon-kuk Son for

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ART FAIR REPORT: Success and Survival, A time for consolidation

The Editors

ATUL DODIYA, Bapu at René Block Gallery, New York, 1974, 1998, watercolor on paper, 45 x 70 in. Collection of the artist. Courtesy Chemould Prescott Road Art Gallery, Mumbai.

Issue

PERSPECTIVE: Bringin’ Back Bapu!

Murtaza Vali

CAI GUO-QIANG, Footprints of History: Fireworks Project for the Opening Ceremony of the 2008 Beijing Olympic Games, 2008, photo documentation of fireworks installation. Photo by Hi

Issue

IN RESPONSE: Shock of the Obvious

Geremie R. Barmé

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