The Editors

Sharjah Biennial 9

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Sharjah Biennial 9

November Paynter

SIMRYN GILL, My Own Private Angkor, 2007– , from a series of gelatin silver prints, 39 x 38 cm. Courtesy the artist and Breenspace, Sydney.

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Sydney: Simryn Gill

George Alexander

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Tokyo: Ryoji Ikeda

Kenichi Kondo

PENG HUNG-CHIH, Farfur, the Martyr, 2008, fiberglass fountain, 213 x 200 x 180 cm. Courtesy IT Park Gallery, Taipei.

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Taipei: Peng Hung-chih

David Frazier

Installation view of “Qiu Zhijie: Breaking Through the Ice” at Ullens Center for Contemporary Art, Beijing, 2009. All photos by Oak Taylor-Smith. Courtesy Ullens Center for Contemp

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Beijing: Qiu Zhijie

Angie Baecker

DANY CHAN, Kbach Phni Vois, 2008, pencil shavings on wood, 150 x 100 cm. Courtesy 10 Chancery Lane Gallery, Hong Kong.

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Hong Kong: Forever Until Now

Nadim Abbas

SUBBA GHOSH, Within Darkness (A Homage to Nat King Cole in Today’s World), 2009, acrylic on canvas, 80 x 108 in. Courtesy Anant Art Gallery, New Delhi.

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New Delhi: Subba Ghosh

Deeksha Nath

Installation view of CHOI JEONG HWA’s “Shine a Light” at Korean Cultural Centre, London, 2009.

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London: Choi Jeong Hwa

Eliza Gluckman

JAISHRI ABICHANDANI, Whip Drawing for Palestine, 2009, leather whips, Swarovski crystals, wire, paint, nails, dimensions variable. All photos courtesy Arario Gallery, New York.

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New York: Artists in Exile

Meenakshi Thirukode

ATELIER BOW-WOW, Small Case Study House (BBQ House), 2009. Installation view at Redcat Gallery, Los Angeles, 2009.

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Los Angeles: Atelier Bow-Wow

Jennifer S. Li

SK-INTERFACES: EXPLODING BORDERS IN ART, SCIENCE AND TECHNOLOGY, by Jens Hauser. Published by Liverpool University Press, Liverpool, 2008. Softcover with color illustrations, 150

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BOOK REVIEWS: Future Trajectories

Jonah Brucker-Cohen

Ayah Bdeir in her work space at Eyebeam, New York, 2009.

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Ayah Bdeir

Hanae Ko

Illustration by Suck Zoo Han.

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THE LAST WROD: Elusive Aesthetics

Michael Young

Issue 64

Magazine

Issue 64

Jul/Aug 2009

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