The Editors

Aerial view of Art Taipei, 2009. Courtesy Art Taipei.

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ART FAIR REPORT: Fairground Attractions

The Editors

MICHEL TUFFERY and PATRICE KAIKILEKOFE, Povi Tau Vaga (

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An Artist's Bullish Feeling

Laura Cassidy Rogers

OMER FAST, The Casting, 2007, production still. Collection of the artist. Courtesy Postmasters Gallery, New York, gb agency, Paris, and Arratia, Beer, Berlin.

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Missing in Action: Omer Fast

William Pym

Installation view of artworks by the Gutai Art Association at the

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Beyond Gutai 101

Reiko Tomii

NAIZA KHAN, Belts From Another Age (Khamosh), 2006, screen print, 76 x 57 cm. Courtesy the artist.

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Operating Above the Law

Fatima Bhutto

YEONDOO JUNG, Cine-Magician, 2009, performance documentation. Courtesy Kukje Gallery, Seoul.

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All the Way Back To the Futurism: Performa 09

Hanae Ko

Roberto Chabet at the University of the Philippines College of Fine Arts, Quezon City, circa 1980s. Photo by Soler. Courtesy the Roberto Chabet Archive.

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Anxious Objects Waiting to Collide: Roberto Chabet

Marlyne Sahakian, Ringo Bunoan

MONIR SHAHROUDY FARMANFARMAIAN, Zahra's Image (detail), 2009, mixed media on wood, six panels, 300 x 200 cm each. Dedicated in loving memory to the artist's late husband

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Brisbane Looks Across the Pacific To New Frontiers: Asia Pacific Triennial 6

Michael Young

Song Dong standing in Waste Not, an installation of his family's personal effects, in his solo exhibition

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A Half Century Laid Bare: Song Dong

Olivier Krischer

ZHANG HUAN, MY ROME, 2005, performance on the statue of Marforio, Capitoline Museum, Rome, in which the artist reflected on ancient civilizations and Rome's history as an empire. A

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Zhang Huan: Standing on the Shoulders of Giants

Angie Baecker

from top to bottom: LOVE IS THE END OF ART, 2009, two-week performance in collaboration with artist Nick Currie, better known as Momus, at Zach Feuer Gallery, New York. Photo by Ry

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Aki Sasamoto: Listening to The Sound of Sharpened Footsteps in A Dark Room

Ashley Rawlings

CONVERSATION I–III, 2005, still from video installation with five synchronized screens, 12 min. The artist sits between two corpses, quietly singing and humming in Thai. All images

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Araya Rasdjarmrearnsook: Dialogues With Difference

Brian Curtin

IF ONLY IT WAS AS EASY TO BANISH HUNGER BY RUBBING THE BELLY AS IT IS TO MASTURBATE, 2009, film stills. Film commissioned by MASS MoCA, North Adams. The artist and MASS MoCA direc

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Guy Ben-Ner: Solitary Refinement

HG Masters

Illustration by Joon Mo Kang / ArtAsiaPacific.

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Tino Sehgal: The Unbearable Lightness of Possession

Chin-Chin Yap

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