The Editors

Sticker by Iranian street artist A1one, on top of a poster of Iranian president Mahmoud Ahmadinejad, in the streets of Tehran, 2009. Courtesy the artist.

Issue

Vandal in the Tear Gas

Cameron Allan McKean and Ega Hiroshi

MATERIAL FOR A FILM (PERFORMANCE), 2006, 1,000 blank books shot by the artist with a .22 caliber gun, shelving, 67 photographs, dimensions variable. Installation view at Guggenheim

Issue

Tribute to a Palestinian

Murtaza Vali

JSG BOGGS’ life-size, satirical drawing of a USD 1,000 bill with a portrait of the late-19th century president Grover Cleveland. Issued by the fictive Bank of Bohemia, the bill, wh

Issue

Not For the Love of Money

Chin-Chin Yap

SHILPA GUPTA, Untitled, 2008, photograph on flex, 300 x 120 in. Courtesy the artist and Galerie Yvon Lambert, Paris.

Issue

The Future Looks Feminine

Jennifer S. Li

Home of Our Youth—To Thee Will We Sing

Issue

Home of Our Youth—To Thee Will We Sing

Elaine W. Ng

Fereydoun Ave in Basel, Switzerland, for Art Basel in June 2009. Photo by ArtAsiaPacific.

Issue

Wrestling With History: Mystical and Masculine

Sara Raza

Kent and Vicki Logan in front of their collection at the San Francisco Museum of Modern Art. Photo by Drew Altizer / Drew Altizer Photography, San Francisco. Courtesy Kent and Vick

Issue

Looking Behind The Smile

Danielle Shang

CHRISTO & JEANNE-CLAUDE, Wrapped Coast - One Million Square Feet, 1969, synthetic fiber wrapped around the shore of Little Bay, Sydney. Photo by Wolfgang Wolz. Courtesy Christo.

Issue

The Great Commissioner

Michael Young

Photo documentation of the atomic bombing of Hiroshima, Japan, on August 6, 1945. Courtesy Hiroshima Peace Memorial Museum, Hiroshima.

Issue

Taboos and Censorship in Japan Postwar Art: Mutually Assured Decorum

Ashley Rawlings

BE IN THE SAME BOAT, 2002, digital print, 240 x 410.9 cm.

Issue

Wu Tien-Chang: Facing the Unknowable Future

David Frazier

Yael Bartana at Union Square, New York, 2009. Photo by Peter Hoang for ArtAsiaPacific.

Issue

Yael Bartana: State of Metaphor

Marisa Mazria-Katz

Yang Jiechang with 100 LAYERS OF INK, 1999, at his studio in Paris, 2009. Photo by Ed Alcock.

Issue

Yang Jiechang: The Communist Party Didn’t Pay the Bill

Britta Erickson

The table in an Upper East Side café in New York, where ArtAsiaPacific met Walid Raad in June 2009. Photo by Curtis Hamilton for AAP.

Issue

Walid Raad: Those who lack in imagination cannot imagine what is lacking

HG Masters

GUAN WEI, Echo, 2005, synthetic polymer paint on canvas, 42 panels, 273 x 722 cm overall. Collection of Queensland Art Gallery, Brisbane.

Issue

Brisbane: The China Project

Rachel Kent

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