The Editors

LIDA ABDUL, Once Upon Awakening, 2006, 16 mm film transferred to digital video, 6 min 50 sec. Courtesy the artist and Anna Schwartz Gallery, Melbourne.

Issue

Melbourne: Lida Abdul

Emily Cormack

BRUCE YONEMOTO, “NSEW,” 2007, series of digital C-prints, vintage daguerreotype cases, dimensions variable. Courtesy the artist and Galerie Quynh, Ho Chi Minh City.

Issue

Ho Chi Minh City: Bruce Yonemoto

Anne Elizabeth Moore

NECLA RÜZGAR, Benden Ötesi, 2009, watercolor on paper, 50 x 64.8 cm. Courtesy Outlet-Istanbul, Istanbul.

Issue

Istanbul: A Room of One’s Own

Irina Makarova

SHIN IL KIM, Dual Beat, 2009, video stills. Courtesy Galleria Riccardo Crespi, Milan.

Issue

Milan: Shin Il Kim

Alessandra Alliata

TSURUKO YAMAZAKI, Work, 2009, acrylic on canvas, 72.7 x 53 cm. Photo by Rebecca Fanuele. Courtesy Galerie Almine Rech, Paris.

Issue

Paris: Tsuruko Yamazaki

Devika Singh

PARASTOU FOROUHAR, Parade #4, 2008, C-print mounted on aluminum, 64 x 64 cm. Courtesy Arario Gallery, New York.

Issue

New York: The Promise of Loss

William Pym

YIN XIUZHEN, Collective Subconscious, 2007, minibus, stainless steel, used clothes, stools, music. Photo by Jason Mandella. Courtesy the artist.

Issue

New York: Yin Xiuzhen

Dyer Cushman

HAMRA ABBAS, It Was A Little Demon, I Can Tell You (detail), 2008, paper collage, perspex box, 26 x 211 x 30 cm. Courtesy the artist and Green Cardamom, London.

Issue

Pasadena: Beyond the Page

Allison White

PARK CHAN-KYONG, Three Cemeteries, 2009–10, three photographs, text, audio, 81.3 x 135.9 cm each. Courtesy the artist and PKM Gallery, Seoul.

Issue

Los Angeles: Park Chan-Kyong & Sean Snyder

Jennifer Li

(Left) MAZAAR, BAZAAR: DESIGN AND VISUAL CULTURE IN PAKISTAN, by Saima Zaidi. Published by Oxford University Press, Karachi, 2010. Hardcover with color illustrations, 350 pages; (T

Issue

NEW TITLES ON SOUTH ASIAN VISUAL CULTURE / BOOK REVIEW: On the Street and at the Movies

Don J. Cohn

Sally Smart with a new wall-work, at her studio in Melbourne, 2010.

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Sally Smart

Emily Cormack

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THE LAST WORD: Vertical Ambitions

Ashley Rawlings

IDEAS ON A NAPKIN

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IDEAS ON A NAPKIN

Akira Yamaguchi

BILL HENSON, Untitled #30, 2009–10, archival inkjet pigment print, 127 × 180 cm. Courtesy the artist and Roslyn Oxley9 Gallery, Sydney.

News

Bill Hensen and the Saga of Australian Pornography Laws

Michael Young

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