The Editors

A tourist posing in front of the Central world Plaza in Bangkok in the aftermath of the Red Shirt riots in May. Photo by Manit Sriwanichpoom. Courtesy Kathmandu Photo Gallery, Bang

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An Unexpected Oracle

Gregory Galligan

All Portraits By Maurizio de Angelis

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Massimiliano Gioni: Image Overload

Hanae Ko

CLARA KIM plans to take Media City Seoul beyond the explicit concerns of new-media art

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Belief & Trust

Jennifer S. Li

GAO SHIMING established his art-historical concerns with his co-curation of the 2008 Guangzhou Triennal,

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All Cast To Center Stage

Angie Baecker

TAKASHI AZUMAYA champions artists who work with the here-and-now physicality of art experienced in a three-dimensional space, rather than flattened on a screen.

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The Art Of Materiality In A Pixelated World

Darryl Wee

TIRDAD ZOLGHADR & HONGJOHN LIN. The co-curators of the Taipei Biennial are experimenting with showing fewer than 30 artists this year, and are developing the artists' work during a

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Two Years

David Frazier

HAWAII, 2007, black-and-white photograph, 100 x 150cm. Courtesy the artist, Luhring Augustine, New York; Getsuyosha publishers, Tokyo; and Taka Ishii Gallery, Tokyo.

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Daido Moriyama: Out of the Darkness

Ashley Rawlings

RICHARD LIN with his sculptural installation What's Ahead (1985) at the Taipei Fine Arts Museum (TFAM), 1985. Collection of TFAM. Courtesy the artist.

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Taiwanese Minimalism: The Fundamentals Of, Point, Line, Area

David Frazier

REVOLUTION, 2005, still from single channel video showing a guard surveilling a crowd of protesters.

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Muratbek Djumaliev & Gulnara Kasmalieva: The Camera Rolls as the Terrain Shifts

William Pym

UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES, 2010, film still in which the protagonist's long-lost son visits him in the form of a monkey-spirit.

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Apichatpong Weerasethaku: Agrarian Reincarnations Of Cinema

HG Masters

110 Larrakitj (Burial Poles), 2010, by 41 Yolngu artists from North East Arnhem Land. Photo by Sebastian Kriete. Courtesy Kerry Stokes Collection, Perth.

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Sydney: The Beauty of Distance

Cameron Allan McKean

MO YI, 2008 My Illusory Beijing 17 Qianmen Street, 2008, black-and-white gelatin silver print, 50.8 x 61 cm. Courtesy Three Shadows Photography Art Center, Beijing.

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Beijing: Mo Yi

Angie Baecker

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Hong Kong: Simon Birch

Han Yan Yuen

FX HARSONO, Undisclosed Identity, 2016, 59 lightboxes with LED light, digital print on duratrans film, acrylic sheet, LED running text and 15 stools, dimensions variable. Courtesy

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Singapore: FX Harsono

Amanda Lai

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