The Editors

Illustration by saiman chow.

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THE POINT: An Old Model, A New Means

James and Jane Cohan

BHUPEN KHAKHAR, Muslims Around a Mosque, 2001, oil on canvas, 180 x 120 cm. Courtesy Sotheby’s London.

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AUCTION REPORT: Knowing One's Worth

The Editors

NARI WARD’s China Idle, 2010, in Galleria Continua’s booth at ShContemporary 2010, Shanghai. Courtesy ShContemporary.

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ART FAIR REPORT: Small Measures

The Editors

Interior view of Suzusho House, 1968, in 16 Houses and Architectural Theory (1971), a book documenting the work of Japanese architect Kazuo Shinohara. Photography by Dani Saul for

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A Machine for Thinking

Joseph N. Newland

Experimental sound artists Zen Lu and Abai performing at Mooka Space in Shenzhen, China, 2007. Photo by Jazzcat.

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Cutting through the Noise

Song Ming Ang

RUTI SELA & MAAYAN AMIR, Beyond Guilt #1, 2003, video stills in which the artists are engaging in provocative exchanges with anonymous men. Courtesy the artists.

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From Both Sides Now

Joshua Simon

KRIS MARTIN, Vase, 2005, Chinese porcelain, glue, height: 225 cm. Collection Wilhelm and Gabi Schürmann, Herzogenrath. Photo by Ulrike Baumgart.Courtesy Sies + Höke, Düsseldorf.

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A History of Violence

Chin-Chin Yap

Artist project reinterpreted by Pete Deevakul

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The Otolith Group

Shanay Jhaveri

Artist project reinterpreted by Pete Deevakul

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Sara Rahbar

Thorsten Albertz

Artist project reinterpreted by Pete Deevakul

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Arlo Mountford: Off with his Head!

Michael Young

Artist project reinterpreted by Pete Deevakul.

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Xu Bing: Words Unbound

Don J. Cohn

Front page of a 1987 edition of Zhongguo Meishubao (“Fine Arts in China” newspaper). Photographed at Li Xianting’s studio in Beijing, 2010. All images in this article are courtesy

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Li Xianting: Off the Page

Andrew Cohen

WHY DO FAKE HANDS NOT CLAP, 2010, stills from video installation. All images in this article are courtesy the artist.

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Hamra Abbas: The Sound of Broken Clapping

Hanae Ko

WALLPAPER 03, 2009, mixed media, 167 x 131 x 15 cm. Installation view at Singapore Tyler Print Institute, 2010. Courtesy the artist and Singapore Tyler Print Institute.

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Tabaimo: All That Creeps Beneath the Surface

Ashley Rawlings

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