The Editors

WU YULU, Wu Yulu’s Robot Factory, 2010, metal, electronics, wood, silicone, cobalt blue pigment, sand, secondhand materials, dimensions variable. Photo by Justin Jin. Collection of

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Shanghai: Peasant Da Vincis

Jasper Sharp

ZHUOQUAN LIU AND NORTSE, Dialogue, 2009, from a series of photographs. Courtesy Songzhuang Art Center, Beijing.

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Beijing: Scorching Sun of Tibet

Andrew Cohen

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Hong Kong: Lee Sanghyun

Christopher Shay

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Mumbai: Bani Abidi

Avni Doshi

TAKASHI MURAKAMI, The Emperor’s New Clothes, 2005, fiberglass, resin, iron, wood, fabrics, oil paint, acrylic, lacquer, 189 x 109 x 102 cm. Photo by Cedric Delsaux – The Coronation

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Versailles:Takashi Murakami

Jina Valentine

AI WEIWEI, Straight, 2008–12, Steel reinforcing bars, 600 x 1200 cm. Copyright the artist. Courtesy the artist and Lisson Gallery, London.

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London: Ai Weiwei

John Jervis

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Boston: Fresh Ink

Tiffany Wai-Ying Beres

ELAD LASSRY, Pillow, 2010, C-print with painted frame, 36.8 x 29.2 x 3.8 cm. Courtesy the artist and Luhring Augustine, New York.

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New York: Elad Lassry

William Pym

KOKI TANAKA, Everyday Statement (Cheese Toast), 2010, photograph, 157.5 x 229.7 cm. Photo by Tomo Saito. Courtesy the artist.

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San Francisco: Koki Tanaka

Jessica Kraft

A HISTORY OF ART IN 20TH-CENTURY CHINA. Text by Lü Peng. Published by Charta, New York/Milan, 2010. Hardcover with color illustrations, 1,288 pages.Photography by Alis Atwell for

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BOOK REVIEWS: Voluminous Omissions

Don J. Cohn

TOMOO GOKITA playing a piano backwards, at his studio in Tokyo, 2010. Photo by Yoshimitsu Umekawa for ArtAsiaPacific.

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Tomoo Gokita

Ashley Rawlings

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THE LAST WORD: Coming to a Crossroads

Edan Corkill

Issue 72

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Issue 72

Mar/Apr 2011

Issue 72

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Issue 72

Mar/Apr 2011 US$ 21.00

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