The Editors

The African Renaissance Monument, a 164-foot-tall bronze statue outside of Dakar, Senegal, built by North Korea’s Mansudae Art Studio in 2010. Photo by Christophe Blitz. Courtesy M

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PERSPECTIVE: Hollow Monuments

Angie Baecker

Photo documentation of MRAT LUNN HTWANN’s performance, in which he invited volunteers to bite his body and photograph the marks that remained. Courtesy Beyond Pressure.

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CURRENT AFFAIRS: Pressure Points

Ton Dal

SUBODH GUPTA, Atta, 2010, cast bronze on wooden table, 99 x 119 x 65 cm. Courtesy Nature Morte, New Delhi.

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ARCHIVE: Our Symbols

Hemant Sareen

HASAN ELAHI, Altitude v2.5.1 (detail), 2007, C-print, 152.4 x 76.2 cm. Courtesy the artist and Michael Klein Arts, New York.

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CASE STUDY: In the Eyes of the Beholder

Chin-Chin Yap

Collapsed buildings in the city of Spitak in the aftermath of a major earthquake that hit northwestern Armenia in 1988. Photo by CJ Langer / US Geological Survey.

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Azat Sargsyan

Shinya Watanabe

Lightning Fields 180, 2009, Gelatin silver print, 149.2 x 119.4 cm.All images courtesy the artist and the Pace Gallery, New York.

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Hiroshi Sugimoto

Rachel Kent

Imitation of the Death of Marat by Jacques-Louis David, 1989, oil on canvas, 134 x 95 cm.All images courtesy the artist.

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Mao Xuhui

Andrew Cohen

WAFAA BILAL at his studio in New York.All images in this article, unless otherwise noted, by Ben Pier for ArtAsiaPacific.

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Wafaa Bilal: Remote Repercussions

Ashley Rawlings

Across the Slope, 2008, modified car on a constructed floor. Installation view at Centre d’Art Santa Mònica, Barcelona, 2008.All images in this article are courtesy the artist.

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Ahmet Öğüt: Getting Around

HG Masters

In The Night Garden (detail), 2010, mixed-media installation.All images in this article, unless otherwise noted, are courtesy Vitamin Creative Space, Guangzhou.

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Cao Fei: Where the Grass is Greener

Hanae Ko

“Who's Afraid of Red, Yellow and Green,” 2010, installation view at 100 Tonson Gallery, Bangkok. Courtesy 100 Tonson Gallery.

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Rirkrit Tiravanija: Making Conversation

William Pym

DIA AZZAWI, Victim’s Rose, 2010, acrylic on canvas, triptych, 180 x 330 cm overall. Courtesy Mathaf: Arab Museum of Modern Art, Doha.

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Doha: Three Inaugural Exhibitions

Sara Raza

RUNA ISLAM, Magical Consciousness, 2009–10, stills from black-and-white film: 8 min 2 sec. Courtesy the artist and White Cube, London.

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Sydney: Runa Islam

Marian Tubbs

BIANCA HESTER, Please leave these windows open overnight to enable the fans to draw in cool air during the early hours of the morning, 2010, performance and mixed-media installatio

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Melbourne: Bianca Hester

Emily Cormack

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