The Editors

Aerial view of Lahore. Photo by Sonya Reyman for ArtAsiaPacific.

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DISPATCH: Lahore

Ambereen Karamat

Illustration by Kate Barnett.

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THE POINT: No, But Seriously

Jonathon Keats

KHALIL RABAH, Installation view of “The New Palestinian Museum of Natural History and Humankind,” at the National Museum of Contemporary Art (EMST), Athens, 2006. Copyright EMST. C

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PREVIEWS: National Alternatives

The Editors

YAO CHUNG-HAN, Scattered Coordinates 1, 2008–10, mirrors and flashing neon lights, installed at the Intercommunication Center, Tokyo, 2010. Courtesy the artist.PRATCHAYA PHINTHONG,

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NEW CURRENTS: Yao Chung-han, Pratchaya Phinthong, Angki Purbandono

The Editors

ERIK GÖNGRICH’s project titled “Picnic,” for “One Day in the Room,” in collaboration with ODA PROJESI, Galata, June 10, 2001. Copyright Peter Mörtenböck and Helge Mooshammer. Court

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PERSPECTIVE: Biennials and Infrastructure Shift – Part I

Terry Smith

A young monk in Yushu, China, 2012. Photo courtesy Arahmaiani Feisal.

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PROJECT: My Second Life in Tibet

Arahmaiani Feisal

TITH KANITHA, Close Friends (detail), 2011, wire installation, for the exhibition “SurVivArt - Arts for the Right to a Good Life,” at Mikael Andersen gallery, Berlin, 2012. Courtes

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SURVEY: Healing the Wounds

Jane Ingram Allen

JOSÉ ANTONIO VEGA MACOTELA, Intercambio 331 / Time Exchange 331, 2010, a collaborative project in which the artist spied on the ex-lover of an inmate, who in exchange made a boardg

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CASE STUDY: Prison Breaks

Chin-Chin Yap

SIMON and CATRIONA MORDANT at the Museum of Contemporary Art in Sydney, 2010. Photo by Amos Aikan. Courtesy and copyright NewsPix.

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Simon & Catriona Mordant

Michael Young

SULTAN SOOUD AL-QASSEMI in front of Khaled Hafez’s Divine Exodus, 2009, during Barjeel Art Foundation’s inaugural show, “Peripheral Visions,” Sharjah, 2010. Courtesy Barjeel Art Fo

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Sultan Sooud al-Qassemi

Isabella E. Hughes

Promotional video, Tokyo, 2012. By Kihara Takeru.All images in this article, unless otherwise noted, are courtesy the artists.

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Trippple Nippples: I Like I Like I Like I Like . . . To Freakout

David Frazier

THE THREE DISAPPEARANCES OF SOAD HOSNI, 2011, 70-minute film pieced from VHS footage of Egyptian films starring Soad Hosni. Courtesy the artist. All images in this article are stil

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Rania Stephan: Life on Screen

Elisabeth Stoney

Olympic “medals” installed at Boers-Li Gallery for “Welcome to Xijing – Xijing Olympics,” Beijing, 2008.All images in this article, unless otherwise noted, are courtesy the artists

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Xijing Men: The Capital of Absurdia

Olivier Krischer

SIFIR-CYPHER, 1991, welded tin cans, 209 x 209 x 16 cm. Photo by Reha Arcan.All images in this article, unless otherwise noted, are courtesy the artist and Rampa, Istanbul.

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Vahap Avşar: (Re)Circulation Problems

HG Masters

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