The Editors

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See No Evil, Hear No Evil, Speak No Evil

Elaine W. Ng

Aerial view of the Mong Kok area in Hong Kong. Photo by Ann Woo for ArtAsiaPacific.

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DISPATCH: Hong Kong

Tobias Berger

Illustration by Paul Sahre.

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THE POINT: Microblogging in China

Ai Weiwei

ALFREDO JAAR, 1+1+1, 1987, photographic installation that was commissioned for Documenta 8, Kassel. Copyright Alfredo Jaar. Courtesy Galerie Lelong, New York.

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ARCHIVE: Progress, Piety and Mess

Joe Martin Lin-Hill

ZIAD ANTAR, photograph of the UAE coastline from the “Portrait of a Territory” series, 2004–2011, created during his Sharjah Art Foundation Artist Residency, and exhibited as the i

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RECAP: Restoring Trust

John Jervis

CASE STUDY: Devastating History

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CASE STUDY: Devastating History

Chin-Chin Yap

Illustration by Kristopher Ho.

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PERSPECTIVE: Dancing Dragon

Kathy Zhang

STUART RINGHOLT, Preceded by a tour of the show by artist Stuart Ringholt, 4–5p.m. (The artist will be naked. Those who wish to join the tour must also be naked. Adults Only), 201

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Stuart Ringholt: A Naked Truth

Michael Young

DO-HO SUH, Home Within Home – Prototype, 2009–11, 1:11 scale stereolithography model of a housing structure, 183.6 x 178.1 x 236 cm. Courtesy Singapore Tyler Print Institute.

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Do-Ho Suh: The Poetics of Space

Jayoon Choi

RUDY TSENG at his home near Taipei, April 2012, sitting in front of Sunil Gawde’s Fly Away, Swim Closer (2008). Photo by Ann Woo for ArtAsiaPacific.

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Rudy Tseng: Executive Producer

Elaine W. Ng

LAMYA GARGASH, C-print from “Presence” series, 2006–2007, 60 x 60 cm.Courtesy the Third Line, Dubai.

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Lamya Gargash: Emirati Estrangements

Alexandra MacGilp

SPOILS, 2011, venison topped with date and tahini sauce on a plate taken from Saddam Hussein’s private collection, which was served to guests at Park Avenue Autumn, New York, 2011.

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Michael Rakowitz: The Sweet and Bitter Road

Hanae Ko

AN IRON IN THE FORM OF A RADIO, A KETTLE IN THE FORM OF AN IRON, AND A RADIO IN THE FORM OF A KETTLE, 2002, mixed-media installation. All images in this article are courtesy the ar

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Kim Beom: Open the Most With the Least

Han Keum Hyun

INTERIOR (ORANGE LOUNGE SUITE), 2006, acrylic on linen,152 x 152 cm.All images in this article are courtesy the artist.

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Gordon Bennett: Fields of Disturbance

Olivier Krischer

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