The Editors

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Around the World in 60 Days

Elaine W. Ng

NORTSE, Zen Meditation, 2012, installation of six monk’s robes, Chinese currency, scriptures, butter lamps, sand, metal frames, 100 x 100 x 80 cm. Courtesy Rossi & Rossi, London.

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ONE ON ONE: Tenzing Rigdol on Nortse

Tenzing Rigdol

Illustration by Kang Joon Mo.

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THE POINT: A Third Way

Hou Hanru

SHINGO HONDA, No. 42, 1970, split log and hawser, 122 x 122 x 244 cm, installed at Tamura Gallery, Tokyo, 1970. Photograph by Shigeo Anzaï. Courtesy the artist and the Museum of Co

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REFLECTION: What Isn’t Mono-ha?

James Jack

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CASE STUDY: Objectification

Chin-Chin Yap

Exhibition view during the 28th São Paulo Biennial, in a section of the Oscar Niemeyer-designed Ciccillo Matarazzo Pavilion, the main exhibition venue, controversially left entirel

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PERSPECTIVE: Biennials and Infrastructural Shift—Part II

Terry Smith

DUCK HYUN CHO, The Nora Collection, 2008/2012, installation of canvas drawings replicating portraits and episodes from the life of Korean fashion designer Nora Noh. Courtesy the ar

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RECAP: Looking Back to Look Forward

John Jervis

TAREK ATOUI setting up four microphones in the desert of Ash Shigaya, north of Kuwait, to record the sound piece Unplified, 2012. Courtesy MinRASY Projects, London.

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Tarek Atoui

Isabella E. Hughes

AAKASH NIHALANI, Through, self-portrait from the “Public” series, 2007–08. Copyright the artist.

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Aakash Nihalani

Jyoti Dhar

NEAMA A. ALSUDAIRY, Self Portrait, 2012, pencil and charcoal drawing, 20.3 x 25.4 cm. Courtesy the artist.

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Neama A. Alsudairy

Reza Faroughi

SHI QING, All That Is Solid Melts into Air, 2012, mixed-media installation at Shanghart’s H-Space, Shanghai, 2012. Photo by and courtesy the artist.

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Shi Qing

Lee Ambrozy

Backfade_5 (Dancing Queen), 2011, mixed-media installation at Lisson Gallery, London, 2011.All images in this article are courtesy the artist.

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Haroon Mirza: A Heightened Degree of Control

John Jervis

Salt Transfer Cycle, 1993–95, still from eight-minute video. Photo by and courtesy the artist.

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Michael Joo: Devolution

Hanae Ko

The Letter Writing Project, 1998, interior view of one of three writing stations, 289 x 170 x 231 cm. Collections of Whitney Museum of American Art, New York, Yageo Foundation, Tai

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Lee Mingwei: Threads of Connection

Rachel Kent

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