The Editors

SHINGO HONDA, No. 42, 1970, split log and hawser, 122 x 122 x 244 cm, installed at Tamura Gallery, Tokyo, 1970. Photograph by Shigeo Anzaï. Courtesy the artist and the Museum of Co

Issue

REFLECTION: What Isn’t Mono-ha?

James Jack

Issue

CASE STUDY: Objectification

Chin-Chin Yap

Exhibition view during the 28th São Paulo Biennial, in a section of the Oscar Niemeyer-designed Ciccillo Matarazzo Pavilion, the main exhibition venue, controversially left entirel

Issue

PERSPECTIVE: Biennials and Infrastructural Shift—Part II

Terry Smith

DUCK HYUN CHO, The Nora Collection, 2008/2012, installation of canvas drawings replicating portraits and episodes from the life of Korean fashion designer Nora Noh. Courtesy the ar

Issue

RECAP: Looking Back to Look Forward

John Jervis

TAREK ATOUI setting up four microphones in the desert of Ash Shigaya, north of Kuwait, to record the sound piece Unplified, 2012. Courtesy MinRASY Projects, London.

Issue

Tarek Atoui

Isabella E. Hughes

AAKASH NIHALANI, Through, self-portrait from the “Public” series, 2007–08. Copyright the artist.

Issue

Aakash Nihalani

Jyoti Dhar

NEAMA A. ALSUDAIRY, Self Portrait, 2012, pencil and charcoal drawing, 20.3 x 25.4 cm. Courtesy the artist.

Issue

Neama A. Alsudairy

Reza Faroughi

SHI QING, All That Is Solid Melts into Air, 2012, mixed-media installation at Shanghart’s H-Space, Shanghai, 2012. Photo by and courtesy the artist.

Issue

Shi Qing

Lee Ambrozy

Backfade_5 (Dancing Queen), 2011, mixed-media installation at Lisson Gallery, London, 2011.All images in this article are courtesy the artist.

Issue

Haroon Mirza: A Heightened Degree of Control

John Jervis

Salt Transfer Cycle, 1993–95, still from eight-minute video. Photo by and courtesy the artist.

Issue

Michael Joo: Devolution

Hanae Ko

The Letter Writing Project, 1998, interior view of one of three writing stations, 289 x 170 x 231 cm. Collections of Whitney Museum of American Art, New York, Yageo Foundation, Tai

Issue

Lee Mingwei: Threads of Connection

Rachel Kent

“I Am Turkish, I Am Honest, I Am Diligent,” 1998–2006, detail of installation at Thyssen-Bornemisza Art Contemporary, Vienna, 2005. Photo by the artist.All images in this article,

Issue

Esra Ersen: Empathy Machine

HG Masters

CEVDET EREK, Room of Rhythms, 2010–12, mixed-media installation, commissioned and produced by Documenta 13 with the support of SAHA, Istanbul, and the assistance of MIAM, Istanbul

Issue

Documenta 13

HG Masters

GRAHAM FLETCHER, Untitled (Lounge Room Tribalism), 2009, oil on canvas, 150 x 120 cm. Private Collection. Photo by Alex North. Courtesy Mangere Arts Centre, Auckland.

Issue

Auckland: Graham Fletcher

Andrew Clifford

See all