The Editors

Illustration by Eric Hanson.

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THE POINT: Art After Free Will

Shinya Watanabe

MONA HATOUM, Hot Spot, 2006, stainless steel and neon tube, 217 cm diameter. Photo by Site Photography. Courtesy the Rennie Collection, Vancouver.

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PREVIEWS: Connecting the Dots

The Editors

ABBAS AKHAVAN, Study for a Garden: Variation on an English Garden, 2012, Living ivy embedded in the original carpet of the house.Photo by Christa Holka. Courtesy the artist; Delfin

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NEW CURRENTS: Domestic Visions

The Editors

NASRIN TABATABAI and BABAK AFRASSIABI, Seep, 2012, still from two-channel installation. Copyright the artists. Courtesy Barcelona Museum of Art.

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PERSPECTIVE: Where Historical?

Rebecca Close

LIU DING's reinterpretation of an artwork originally made for the Beijing Democracy Wall in 1978, which he has never seen, but only heard about from the artist Wang Luyan. Courtesy

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RECAP: A Story Told To Me by Wang Luyan

Liu Ding

LU YAN, one of the artists involved with the collaborative project

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CURRENT AFFAIRS: Expanding the Horizons of Attention

Biljana Ciric

Limited-edition Andy Warhol-inspired Campbell's soup cans. Courtesy Campbell's Soup Company, Camden.

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CASE STUDY: The Little Can That Could

Chin-Chin Yap

Portrait of CHADRAABAL ADIYABAZAR. Photo by ArtAsiaPacific.

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IN DEPTH: Chadraabal Adiyabazar: Feeling Bullish

Hanae Ko

AMRITA JHAVERI standing in front of Miter (2007) by Subodh Gupta. Photo by Heath Cooper. Courtesy Amira Jhaveri.

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COLLECTOR: Amrita Jhaveri: Blazing a Trail

Elaine W. Ng

KAWAYAN DE GUIA standing by Axis Bus, part of

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BACKSTORY: Kawayan de Guia: These Are Troubled (Tribal) Times

Marlyne Sahakian

Portrait of SALWA MIKDADI. Photo by and courtesy Sueraya Shaheen.

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INTERVIEW: Salwa Mikdadi: Crossing New Boundaries

Isabella E. Hughes

A LETTER CAN ALWAYS REACH ITS DESTINATION, 2012, multiple-channel video installation, 125 min. Courtesy Abraaj Capital Art Prize. All images in this article are courtesy CRG Galler

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Joana Hadjithomas & Khalil Joreige: Of Images, Ghosts and Other Tomorrows

Nat Muller

LOOKING FOR MARCEL, 2005, C-print from a series of four, 16.5 x 35.5 cm.

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Against Blankness: The Inhabiting Spaces of Simryn Gill

Michael Fitzgerald

ETEL ADNAN, Untitled, c. 1995–2000, oil on canvas, installation view at Sfeir-Semler Gallery, Beirut, 2010. Courtesy Sfeir-Semler Gallery, Beirut.

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Points on a Compass

HG Masters

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