The Editors - ArtAsiaPacific (Page 639)

FLORIAN MAIER-AICHEN, Untitled (Infrared Industries), 2011, chromogenic print, 177 × 220.3 cm. Courtesy the artist and Gagosian Gallery, Hong Kong.

Shows

Florian Maier-Aichen at the Gagosian Gallery

The seductive colors of Florian Maier-Aichen’s landscape photographs are breathtaking Sylvia Tsai

CAI GUO-QIANG's Ignition of Chaos in Nature (2012) exhibited as part of

News

M+ Welcomes Lesley Ma as Ink Art Curator

Last week, West Kowloon’s new museum for visual culture M+ welcomed Lesley Ma as its new ink art curator. Ma, who took up the new position on October 8, will serve part-time in developin... The Editors

ROSANNA RAYMOND, still from Da SaVAge K’lub, 2013. Photo by Michael Young for ArtAsiaPacific.

Shows

“Towards the Morning Sun”

Artwork that interrogates elements of Pacific culture as mediated through the prism of Western perception. Michael Young

HONG-KAI WANG, still from Music While We Work, 2011, multi-channel sound and two-channel video installation. Courtesy the artist.

Shows

“Soundings: a Contemporary Score "

Works on view consider the role and presence of sound through visual, spatial and conceptual means. Diana Seo Hyung Lee

News

Shifting Strategies at QAGOMA

Outlining his vision for the future of Queensland Art Gallery/Gallery of Modern Art (QAGOMA), Chris Saines, the museum’s director appointed six months ago, said he was ready “to set... Michael Young

Ideas

Worn: Monica Jahan Bose's "Storytelling with Saris"

At the Brentwood Arts Exchange at the Gateway Arts Center in Brentwood, Maryland—less than a mile from the United State’s capital—the sounds of Katakhali, a small community on... Miryam Haarlammert

JANET LAURENCE, Ash and Pollen, 2013, duraclear on acrylic, mirror, earth and pigment in oil, 125 x 61 cm. Courtesy the artist and Cat Street Gallery, Hong Kong.

Shows

Janet Laurence’s “Plants Eye View”

Laurence hopes to touch on the mistreatment, loss and mortality of the country’s landscape. Chloe Mandryk

EMILY JACIR, detail from “Material for a Film,” 2004. Photo © Emily Jacir 2004.

Ideas

Emily Jacir: Letter From Roma

"What's left of the Left in Italy?" This question led Emily Jacir through archives in Italy, where she discovered little-seen films made in solidarity with the Palestinian struggle. Emily Jacir

EIKOH HOSOE, “Man and Woman” (1960), gelatin silver print, 16.8 x 29.8 cm. Courtesy the artist and Miyako Yoshinaga Gallery, New York.

Shows

Eikoh Hosoe’s "Curated Body: 1959–1970"

These series mark a decade of provocative artistic innovation in which the body becomes arresting and unfamiliar terrain. Claire Sabel

Ideas

Untitled Selection: Meng-Tang Chuang

Ann Woo

EKO NUGROHO, I Am An Animal Of My Own Destiny, 2013, konnyaku paper mask with wood block, screen print, cast paper, found object, and handmade paper, 168 x 69 x 18 cm. Copyright th

Ideas

Unmasked: Indonesian Artists in Singapore

A mask can serve many purposes—disguise, restraint, identity, totem—but in the hands of Indonesian artist Eko Nugroho, it becomes something more: a wry avatar of the artist’s priv... Marybeth Stock

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Issue 85

Sep/Oct 2013 US$ 21.00

Ideas

Crowd Control: Visitors Flock To Sydney Contemporary

More than 28,000 visitors flocked to the inaugural Sydney Contemporary art fair at Carriageworks, an inner-city art space housed in a historic warehouse. On the opening night alone, 14,000 crow... Michael Young

JENNY HOLZER, Inclined, 2013, LED sign with blue, green and red diodes, 243.8 x 15.2 x 15.2 cm. Courtesy Pearl Lam Galleries.

Ideas

Text Generation: Holzer in Hong Kong

Hong Kong streets have a deafening chatter, of the visual kind. Every night, the ICC Tower projects an LED light show in Central and down in the urban canopy hundreds of neon signs chart the a... Chloe Mandryk