The Editors - ArtAsiaPacific (Page 633)

TAL SHOCHAT, Afarsek (Peach), 2011, C-Print, 122.6 x 129.5 cm. Courtesy Andrea Meislin Gallery. Copyright the artist.

Ideas

Untitled Selection: Tal Shochat

Ann Woo

Screen shots of Anthony Marcellini and Heman Chong's Twenty Plots for Things to Come (2013), an interactive website currently on view at Yerba Buena Center for the Arts, San Franci

Shows

Heman Chong and Anthony Marcellini’s “Twenty Plots for Things to Come”

Coding the essential data of life within an infinite loop of dystopian dialogue. Marybeth Stock

ALMOND CHU, Parade 5, 2008, archival inkjet print on paper, 155 x 187 cm.

News

Awards Galore: Inaugural Prudential Eye Awards Launches in Singapore

On Saturday, January 18th, at Singapore's Suntec City convention center, the inaugural Prudential Eye Awards (PEA) for emerging Asian artists went to Ben Quilty of Sydney, Australia. Comprisin... Sylvia Tsai

Ideas

Preview: Art Stage Singapore

During its preview on Wednesday, Art Stage Singapore was hectic and crowded -- not only with deadline-frantic media, but with eager collectors who, according to several local galleries, had al... Marybeth Stock

The Turkey Pavilion at Arsenale will be the country’s long-term venue at the Venice Biennale. Courtesy the Venice Biennale / la Biennale di Venezia.

News

Amidst Uncertainties at Home, Turkey to have a Permanent Venue at Venice Biennale

Following a successful run at the 55th Venice Biennale this past year, the Istanbul Foundation for Culture and Arts (İKSV), which manages Turkey's biennial affairs, has signed the lease on a "perma... The Editors

ISAMU NOGUCHI, Seated Female Nude: Scroll (Kakemono), 1930, hanging scroll, ink on paper, 297.2 x 129.5 cm. Courtesy The Noguchi Museum, New York.

Shows

“Isamu Noguchi and Qi Baishi: Beijing 1930”

Presenting an artistic conversation in the story of the chance encounter in 1930s China. Kathy Zhang

KIMSOOJA, Thread Routes-Chapter 1, 2010, 16 mm film transferred to HD format, 29 min 31 sec.Courtesy Kimsooja Studio and Kukje Gallery, Seoul.

Shows

Kimsooja’s “Unfolding”

Spanning the artist's career with excerpts from some of her most recognizable projects displayed in loosely chronological order. Meredith Carr

MINTIO, Concrete Euphoria (Bangkok from the Baiyoke Sky), 2009, digital print, 140 x 112 cm.

Ideas

Untitled Selection: Mintio

Ann Woo

YINKA SHONIBARE, Cake Man (detail), 2013, unique life-size mannequin, Dutch wax African printed-cotton textile, leather, gold, polyester and plaster, 315 × 88 × 120 cm. Copyright t

Ideas

Let them eat cake: An interview with Yinka Shonibare

“Dreaming Rich” is an extension of British-Nigerian artist Yinka Shonibare’s critical and intellectual interest in colonialism and postcolonialism, and their impact on identity, p... Stephanie Bailey

AREZU, Black Crow 3, 2011, Rag on Hahnemuhle paper, 100 x 100 cm.

Ideas

Untitled Selection: Arezu

Ann Woo

Still from Manit Sriwanichpoom and Ing Kanjanavanit's Shakespeare Must Die (2012). While banned in Thailand, the film won two prizes at the Tripoli International Film Festival. Cou

News

Banned at home, Thai filmmakers’ adaptation of Macbeth wins dual prizes at Tripoli fest

Yet another Thai cinematic production has won over a festival jury abroad, despite struggling against film censors at home.Shakespeare Must Die (2012), an allegory of Thailand’s recent p... Brian Mertens

Video

Holding Up Half The Sky

Yu Hong

ROBERT ZHAO RENHUI, Changi, Singapore, Possibly 1970s, 2011, artist proor, 121 x 84 cm. Courtesy the artist and Chan Hampe Galleries, Singapore.

Shows

Chan Hampe Galleries journey to “Motherland”

Home, myth, identity - three artists tackled such notions in relation to their native land of Singapore. Marybeth Stock

Shows

Chen Ching-Yuan’s “(flare-s)”

An intimate view into the artist’s own universe. Sheryl Cheung