The Editors - ArtAsiaPacific (Page 631)

Issue

London: Liu Xiaodong

Voon Pow Bartlett

SIAH ARMAJANI, Shirt #2, 1960. Ink, paint, gesso on canvas, 85 x 82 cm. Photo by Stephen White. Courtesy the artist and Parasol Unit, London.

Issue

London: Siah Armajani

Susan Gibb

YAYOI KUSAMA, Infinity Mirrored Room – The Souls of Millions of Light Years Away, 2013. Wood, metal, glass mirrors, plastic, acrylic panel, rubber, LED lighting system, and acrylic

Issue

New York: Yayoi Kusama

Taro Masushio

RAQIB SHAW, St. Sebastian of the Poppies, 2011–12. Oil, acrylic, enamel, glitter and rhinestones on birch wood, diameter: 152.4 cm. Copyright the artist. Courtesy Pace Gallery, New

Issue

New York: Raqib Shaw

Lilly Lampe

AHMED ALSOUDANI, Untitled, 2011. Charcoal and acrylic on canvas, 251.5 x 186.7 cm. Photo by Haunch of Venison. Courtesy Portland Museum of Art, Portland.

Issue

Portland: Ahmed Alsoudani

Peter R. Kalb

(Left) CONTEMPORARY KOREAN ART: TANSAEKHWA AND THE URGENCY OF METHOD,By Joan Kee. Published by University of Minnesota Press, Minneapolis, 2013. Softcover with full color illustrat

Issue

BOOK REVIEWS: Questing for Identity

Don J. Cohn

Issue

Subodh Gupta

John Jervis

Issue

FINE PRINT: Fair Use Without Paying Homage

Daniel J. Brooks

Issue

Basmah Felemban

The Editors

Magazine

Issue 87

Mar/Apr 2014

Michael Chow, assuming his Chinese name Zhou Yinghua, presents his debut exhibition at Pearl Lam Galleries in Hong Kong. Courtesy Pearl Lam Galleries, Hong Kong.

Ideas

A Recipe for Success: Michael Chow aka Zhou Yinghua

When Michael Chow enters a room, he commands an audience. With his sweeping gestures and boisterous tones, he speaks in overtures; it doesn’t matter what he is about to present so much as the... Ming Lin

At the start of *TRUONG TAN*'s performance, _Your Idea, I Dance For It_ (2014), audience members were given a strip of colorful fabric on which they could write a wish. Throughout

People

Open Boundaries: Interview With Truong Tan

Challenging the status quo with his works since the early 1990s. Sylvia Tsai

<b>JIHA MOON</b>, Sarah, 2013, ceramic and mixed media, 86.4 x 25.4 x 2.5 cm. Courtesy Ryan Lee Gallery, New York.

Shows

Jiha Moon’s “Foreign Love Too”

Inextricably linking visual signifiers to raise complicated issues of complicity. Lilly Lampe

Ideas

Best Intentions, Weak Promises

The best part of “Our Best Intentions,” Einat Amir’s experimental performance piece, was the anticipation of engaging as both an audience member and an actor. Staged as part ... Claire Sabel