The Editors

REZA ARAMESH, Action 137: 6:45 pm, 3 May 2012, Ramla, 2014, hand-carved Carrera marble, 136 x 40 cm. Courtesy the artist and Leila Heller Gallery, New York.

Issue

Dubai: Reza Aramesh

Elaine W. Ng

MOUNIRA AL-SOLH, Sama’/Ma’as (Bahr), 2014, double-sided patchwork curtain, 270 x 254 cm. Courtesy the artist and Sfeir-Semler Gallery, Beirut & Hamburg.

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Beirut: Mounira al-Solh

Stefan Tarnowski

EXTRASTRUGGLE, Fuck Your Standard, 2014, acrylic on paper, 140 x 100 cm. Courtesy Galeri Non, Istanbul.

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Istanbul: Extrastruggle

HG Masters

TADASHI KAWAMATA, installation view of the artist’s reinstallation of the Asia Collection at the Museum of Applied Arts (MAK), Vienna, 2014. Courtesy MAK.

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Vienna: Tadashi Kawamata

Andreas J. Hirsch

AI WEIWEI, Very Yao, 2009–14, 150 bicycles, dimensions variable. Copyright the artist. Courtesy Martin-Gropius-Bau, Berlin.

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Berlin: Ai Weiwei

Silvia Anna Barrilà

APICHATPONG WEERASETHAKUL in collaboration with Chai Siri, Dilbar, 2013, single-channel video installation projected on a transparent screen: 10 min. Copyright the artist. Courtesy

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London: Apichatpong Weerasethakul

Ho Rui An

TSUYOSHI MAEKAWA, Shiro No Uneri (A8), 1962, oil and burlap on canvas, 130.5 x 162.5 cm. Courtesy Dominique Lévy Gallery, New York.

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New York: Tsuyoshi Maekawa

Paul Laster

TANYA HABJOUQA, from the series “Occupied Pleasures” (2011– ), archival inkjet print, 27.9 x 43.2 cm. Courtesy Whitebox Art Center, New York.

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New York: How Green Was My Valley

Nadia al-Issa

CHANG’AN AVENUE AND THE MODERNIZATION OF CHINESE ARCHITECTURE. By Shuishan Yu. Published by University of Washington Press, Seattle, 2013. Hardcover with color illustrations, 344 p

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BOOK REVIEWS: Avenues of History

John Jervis

(From left to right): Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian in the pattern-splashed living room of their live-in studio in Dubai’s al-Barsha neighborhood.

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Ramin Haerizadeh, Rokni Haerizadeh & Hesam Rahmanian

Elaine W. Ng

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FINE PRINT: Damage Inc.

Sergio Mu–oz Sarmiento

RUMMANA HUSSAIN, sketch for In Between from “In Order to Join,” 1998, ink on paper,26 x 22.2 cm. Copyright Estate of Rummana Hussain. Courtesy Talwar Gallery, New York / New Delhi.

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Rummana Hussain

The Editors

View from the Bitexco Financial Tower in downtown Ho Chi Minh City. Photo by Ruben Luong for ArtAsiaPacific.This year's Reunification Day in Vietnam, on April 30, marked 39 years s

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DISPATCH: Ho Chi Minh City

Ruben Luong

Installation view of

Shows

“Landscape: The Virtual, The Actual, The Possible?”

From environmental concerns to psychology to technology. Katherine Tong

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