The Editors

Robocomposing

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Robocomposing

Chin-Chin Yap

SAN MINN's Men on the Road, 1986, which was banned by censors who misunderstood its meaning. Courtesy THEO Arts Professionals, Singapore.

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Painting Between the Lines

Melissa Carlson

Portrait of Gu Wenda. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

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Gu Wenda: Human Materialist

HG Masters

Portrait of Basma al-Sulaiman in front of HENRY MOORE's Three Piece Reclining Figure No. 1 (1961–62).Courtesy Basma al-Sulaiman Museum of Contemporary Art, Jeddah.

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Basma al-Sulaiman: Wearer of Many Hats

Sara Raza

Portrait of Tony Albert. Photo by Nicholas Gouldhurst.

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Tony Albert: Surface Tensions

Michael Young

SUPPER AT EMMAUS, 2014, photo installation, 142.4 x 177.8 cm. All images courtesy the artist.

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Chow Chun Fai: Citizen HK

Stephanie Bailey

SURASI KUSOLWONG, Golden Ghost (Reality Called, So I Woke Up), 2014, neon work, mirror, photographs and works on paper, dimensions variable. Twelve necklaces of 24-carat gold with

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Nicolas Bourriaud: Beyond Relational

David Frazier

ME TIME I (detail), 2014, resin, anodized aluminum, 40 x 35 cm. Courtesy Jhaveri Contemporary, Mumbai.Installation view of

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Prem Sahib: Night Moves

Shanay Jhaveri

WHAT HAPPENED IN THE YEAR OF THE DRAGON, 2014, still detail from animation video: 10 min. Courtesy Edouard Malingue Gallery, Hong Kong.

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Sun Xun: Powers of Suggestion

Tiffany Wai-Ying Beres

Fig. 2 – Exposed gold on the moldings in the Grand Room, Tower House, London, 2014. Photo by and courtesy Timo Kaabi-Linke.

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INSIDE BURGER COLLECTION: Digging for Redemption

Nadia Kaabi-Linke and Timo Kaabi-Linke

MICHAEL LANDY, Art Bin, 2010/2014, mixed media, dimensions variable. Installation view at Yokohama Triennale, Yokohama, 2014.Photo by Yuichiro Tanaka. Courtesy Organizing Committee

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Yokohama: Yokohama Triennale

David Frazier

MICHAEL LIN, Untitled Gathering, 2008, emulsion on 320 wood stools, dimensions variable. Photo by Michael Young for ArtAsiaPacific.

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Sydney: Commune

Michael Young

HEESEUNG CHUNG, Untitled, 2014, archival pigment print, 224 x 156 cm. Courtesy the artist and PKM Gallery, Seoul.

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Seoul: Heeseung Chung

Jayoon Choi

LI SHAN, The White Pagoda, c. 1970s, oil on paper, 32.4 x 21.8 cm. Courtesy the artist and James Cohan Gallery, New York/Shanghai.

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Shanghai: Li Shan

Tom Baxter

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