The Editors

PHI PHI OANH, Installation view of lacquer skins projected onto gallery walls and mounted silk screens for “Palimpsest” at Fost Gallery, Singapore, 2014. Dimensions variable. Court

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Singapore Phi Phi Oanh

Marybeth Stock

FÜSUN ONUR, Third Dimension in Painting / Come In (detail), 1981/2014, Installation with wood, painted thread, foam rubber, fabric and spangle, 275 x 300 x 210 cm. Photo by Murat G

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Istanbul: Füsun Onur

HG Masters

NADIM ABBAS, Holy Mt IV, 2014, Tetra Brik cartons, dimensions variable. Photo by Cassander Eeftinck Schattenkerk. Courtesy Witte de With Center for Contemporary Art, Rotterdam.

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Rotterdam: The Part in the Story Where a Part Becomes a Part of Something Else

Kitty Van Leeuwen

YEE I-LANN, Empires of Privateers and Their Glorious Ventures, 2010, Digital print with batik on silk, 132 x 400 cm. Photo by Matthew Booth. Courtesy the artist.

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London: A Special Arrow Was Shot in the Neck...

Ho Rui An

MASAHARU SATO, Calling, 2014, Still from HD Blu-ray disc and projection: 10 min 30 sec. Courtesy the artist, Imura Art Gallery, Kyoto/Tokyo, and Friedman Benda, New York.

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New York: Duality of Existence Post Fukushima

Taro Masushio

LEN LYE, Joan Miró, 1947, Photogram, 43 x 35.8 cm. Courtesy the Len Lye Foundation and Govett-Brewster Art Gallery, New Plymouth.

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New York: Len Lye

Paul Laster

GENEVIEVE CHUA, Cicadas #5, Castanets, 2014, Acrylic and screenprint with enamel on shaped canvas, 21.6 x 22.9 x 5 cm. Courtesy the artist and Gusford, Los Angeles.

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Los Angeles: Genevieve Chua

Jennifer S. Li

Kesang Lamdark outside the Rote Fabrik studio complex, on the shores of Lake Zürich.

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Kesang Lamdark

HG Masters

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FINE PRINT: Good Title, Good Sense

Roger Ouk

CHOW CHUN FAI, sketch of four stills from the movie King of Comedy (1999), 2005, pen on paper, each page: 21 x 15 cm. Courtesy the artist.

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Chow Chun Fai

Chow Chun Fai

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Vital Encounters

Elaine W. Ng

GORDON BENNETT, Daddy's Little Girl II, 1994, Acrylic on wood, 40 x 30 cm. Courtesy estate of the artist.

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ONE ON ONE: Tony Albert on Gordon Bennett

Tony Albert

View of Beirut from the north. Photo by Paul Assaker.

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DISPATCH: Beirut

Stefan Tarnowski

The entrance to the Gyeongsan cobalt mine, the site of a civilian massacre during the Korean War (1950-53). Production shot in development for Navigation ID, a performance on the o

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Chasing and Facing Poetic Testimonies: Minouk Lim

Susan Gibb

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