The Editors

HITO STEYERL, How Not to Be Seen: A Fucking Didactic Educational .MOV File, 2013, Still from HD video: 14 min. Copyright the artist. Courtesy Wilfried Lentz, Rotterdam.

Issue

Brisbane: Hito Steyerl

Cassandra Lehman-Schultz

HAEGUE YANG, Cittadella, 2011, Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, moving spotlights and scent emitters (Campfire, Mountain Mist, Oudh

Issue

Seoul: Haegue Yang

Jayoon Choi

CHEN SHUN-CHU, “Assembly: Family Parade”, 1992–99, Photo and metal photo frames, 700 pieces: 29.3 x 24.2 cm each. Collection of Hanart TZ Gallery. Courtesy Taipei Fine Arts Museum.

Issue

Taipei: Chen Shun-chu

David Frazier

Installation view of MARK BRADFORD’s Mithra, 2008, mixed media, 726.4 × 1,963.4 × 635 cm, at “Los Angeles,” Long Museum, Shanghai, 2019. Photo by JJYPHOTO. Copyright the artist. Co

Issue

Shanghai: Mark Bradford

Angela Lam

KACEY WONG, The Real Culture Bureau Tank, 2012, Cardboard, wood, speaker and push cart, 200 x 470 x 200 cm. Installation view of “Art of Protest: Resisting Against Absurdity” at AJ

Issue

Hong Kong: Kacey Wong

Sylvia Tsai

WINNER JUMALON, Hallazgo Reciente (Recent Find) I, 2014, Epoxy resin, 56 x 30.5 x 30.5 cm. Courtesy Yavuz Gallery, Singapore.

Issue

Singapore: Winner Jumalon

Marlyne Sahakian

DING YI, Flying Stone, 2013, Metal frame and fake fur cloth, ?42 pieces, dimensions variable. Installation view of “Ivory Black” at ShanghArt, Singapore, 2015. Courtesy ShanghArt,

Issue

Singapore: Ding Yi

Marybeth Stock

CINTHIA MARCELLE, At the Risk of the Real, 2015, Wooden beams, sieves, sand, tools and regular activation, 22.5 x 17.7 x 3.2 m. Installation view at Sharjah Biennial 12, 2015. Cour

Issue

Sharjah Biennial 12

HG Masters

SEMIHA BERKSOY, Mom and I, 1974, Oil on masonite, 100 x 70 cm. Courtesy Galerist, Istanbul.

Issue

Istanbul: Semiha Berksoy: Wall of Hallucination

HG Masters

MOUNIRA AL-SOLH, Now Eat My Script, 2014, Still of HD video: 24 min 50 sec. Courtesy the artist and Sfeir-Semler Gallery, Beirut/Hamburg.

Issue

Berlin: Mounira al-Solh

Kenichi Kondo

DANH VO, Your Mother Sucks Cocks in Hell, 2015, Marble fragment of a child, Roman workshop, 1st–2nd century AD; oak and polychrome Madonna and child, French Early Gothic; plywood,

Issue

London: Danh Vo

Nicole Ching

SUSAN TE KAHURANGI KING, Untitled, c. 1978, Graphite and colored pencil on paper, 18.4 x 29.2 cm. Courtesy Andrew Edlin Gallery, New York.

Issue

New York: Susan Te Kahurangi King

Paul Laster

ARIN RUNGJANG, Golden Teardrop, 2013, Sculpture and video installation, 320 x 500 x 400 cm. Installed for “A Special Curatorial Project With Rirkrit Tiravanija: The Way Things Go”

Issue

San Francisco: The Way Things Go

Hanae Ko

PLAYING WITH SLIPPERY LUBRICANTS by Apinan Poshyananda, Selected Writings, 1993–2004. Published by Office of Contemporary Art and Culture, Ministry of Culture, Bangkok, 2010. Softc

Issue

BOOK REVIEWS: Disruptor with a Smile

HG Masters

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