The Editors - ArtAsiaPacific (Page 591)

ALBERT YONATHAN SETYAWAN, Mandala Study #3, 2014, ceramic, dimensions variable. Courtesy Mizuma Gallery, Singapore.

Shows

Albert Yonathan Setyawan: “Apotheose ”

Setyawan’s multi-piece assemblages are contemplative reinterpretations of myth, nature and spirituality. Marybeth Stock

Excerpt from the film-performance memories of our underdevelopment (2015) by AYREEN ANASTAS and RENE GABRI, which was screened at the end of Day 3 of March Meeting 2015. All photos

Ideas

March Meeting 2015: (Day 3) The Sharjah Sessions—Discussions Curated by Eric Baudelaire

Kevin Jones

All photos by HG Masters for ArtAsiaPacific.<br>

Shows

56th Venice Biennale, Part 2: National Pavilions

A welcome change from the central exhibition, offering a wider range of practices and political views. HG Masters

Installation view of YAYOI KUSAMA's Dots Obsession, 2015, for

Shows

Yayoi Kusama's “A Dream I Dreamed”

Yayoi Kusama’s polka dots have taken over the Kaohsiung Museum of Fine Arts (KMFA) in Taiwan. Denise Tsui

ERIC BAUDELAIRE (left) and HASSAN KHAN (right) discussing Baudelaire's film Letters to Max (2014) during the second day of March Meeting 2015, Sharjah. All photos by Kevin Jones fo

Ideas

March Meeting 2015: (Day 2) The Sharjah Sessions—Discussions Curated by Eric Baudelaire

Kevin Jones

Given the racially fueled unrest making news in the United States, Israel and across Europe, Enwezor's focus on Black and African history was incredibly timely. Here the Central Pa

Shows

56th Venice Biennale, Part 1: Central Exhibition “All The World’s Futures”

The international exhibition curated by Okwui Enwezor. HG Masters

NADIA KAABI-LINKE, The Altarpiece, 2015, transfer print and acrylic on paper on canvas and a wooden frame coated in 24k gold leaf, 250 x 450.4 x 6.3 cm. Courtesy the artist and Law

Shows

Nadia Kaabi-Linke’s “Farenheit311: Seven Legends of Machismo”

Nadia Kaabi-Linke’s second solo exhibition at Dubai's Lawrie Shabibi gallery presents her exploration of modern “macho culture.” Katherine Volk

RASHID RANA’s Asl-e-Shuhuud-o-shaahid-masshhuud (Viewing, Viewer and Viewed) (2015), a live, interactive video installation, where one screen is set in an exhibition room in Venice

Ideas

My East Is Your West: India and Pakistan at 56th Venice Biennale

Jyoti Dhar

Eungie Joo, curator of Sharjah Biennial 12, 2015, giving opening introductions to March Meeting 2015. All photos by Kevin Jones for ArtAsiaPacific.

Ideas

March Meeting 2015: (Day 1) Metaphors Form A Geography From A Shadow

A stockpile of conversations and encounters with the potential to veer off in multiple directions. Kevin Jones

*FIRENZE LAI*, _This is Not Yours_, 2015, oil on canvas, 91.5 x 122 cm. Courtesy the artist and Para Site, Hong Kong.

Shows

“A Hundred Years Of Shame–Songs of Resistance and Scenarios for Chinese Nations”

Comments on the contentious intra-power struggles and uncertain concept of national identity. Susanna Chen

Ideas

Magnum Contact Sheets

Billy Kung

*PRECARIOUS PRACTICE: KOKI TANAKA*
Artist of the Year 2015 Edited by Deutsche Bank. Published by Hatje Cantz, 2015. Hardcover, black-and-white and full-color illustrations, 256 pag

Ideas

Book Review: Precarious Practice, Koki Tanaka

Emma O’Neill

Shows

Rudolf Stingel

Eight square paintings from 2012, all untitled and never before exhibited, are currently being shown as part of the artist’s eponymous exhibition at Gagosian. Siobhan Bent

From left to right: Paul C. Ha, Jane Farver and Ute Meta Bauer. Image sourced from the MIT List Visual Arts Center Facebook page.

News

Curator Jane Farver dies at 68

Hanae Ko