The Editors

Issue

Istanbul: Murat Akagündüz

Nazlı Gürlek

LIU DING, Mango, 2016, oil on canvas, 180 x 160 cm. Courtesy Primo Marella Gallery, Milan.

Issue

Milan: Liu Ding

Alessandra Alliata Nobili

XIAOSHI VIVIAN VIVIAN QIN, KZ, 2016, Styrofoam, concrete, sand, clay and iPhone 4 with video: 2 min. Installation view for the exhibition “Queens International 2016” at Queens Muse

Issue

New York: Queens International 2016

Diana Seo Hyung Lee

ROKNI HAERIZADEH, But a Storm Is Blowing from Paradise (detail), 2014, gesso, watercolor and ink on inkjet prints, 24 parts: 30 x 40 cm each. Photo by Ramin Haerizadeh. Courtesy So

Issue

New York: But A Storm Is Blowing From Paradise

HG Masters

THE GULF: HIGH CULTURE/HARD LABOR edited by Andrew Ross [For Gulf Labor]. Published by OR Books, New York/London, 2015. Softcover with black-and-white illustrations, 358 pages.SLAV

Issue

BOOK REVIEWS: Just Follow the Rulers

HG Masters

Ali practices Farsi script using a homemade bamboo pen.

Issue

Khadim Ali

Michael Young

Sketch for Water Whirler, ink on paper, c. 1961. Courtesy Len Lye Foundation Collection and Archive, Govett-Brewster Gallery/Len Lye Centre, New Plymouth.

Issue

Len Lye

The Editors

Portrait of Martha Atienza. Photo by RJ Fernandez. Courtesy Silverlens, Manila.

Issue

Martha Atienza: Community Engagement

Jennifer Baum Lagdameo

Exterior view of Ullens Center for Contemporary Art in Beijing. Image source: wikimedia.org.

News

Ullens Center for Contemporary Art Put Up For Sale

Hanae Ko

Political cartoonist KHALID ALBAIH. Photo by and courtesy John Mireles and CULTURUNNERS.

Ideas

Interview with Khalid Albaih

Wided Khadraoui

Cover art of Boredoms’ 2007 album Super Roots 9. Courtesy EYヨ.

Imported

Teppei Kaneuji on Eyヨ

Teppei Kaneuji

CHIHARU SHIOTA, The Key in the Hand, 2015, old keys, wooden boats and red wool, installation view from the Japan Pavilion at the 56th Venice Biennale, 2015. Photo by Sunhi Mang. Co

Imported

The Primacy of Matter

Susan Acret

THE CLOSET (detail), 1997/2015, mixed-media installation, dimensions variable, installed at Salt Galata, Istanbul, 2015. Photo by Ali Erdemci.
Unless stated otherwise, all images c

Imported

Tragedy and Farce

HG Masters

OLAFUR ELIASSON, The Open Pyramid, 2016, Steel, aluminum, mirror foil, wood, paint and spotlight, dimensions variable. Installed at the Long Museum, Shanghai, 2016. Photo by Anders

Imported

Nothingness is not Nothing at All

Arthur Solway

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