The Editors

NGUYEN GIA TRI, The Fairies, c. 1936, lacquer on board, 290 x 440 cm. Collection of Géraldine Galateau, Paris. Courtesy National Gallery Singapore.

Imported

Reframing Modernism: Painting from Southeast Asia, Europe and Beyond

Marybeth Stock

PIO ABAD, My dear, there are always people who are just a little faster, more brilliant, and more aggressive II, 2016, acid dye print on hand stitched silk twill, 120 × 120 cm. Cou

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New Emperors, Old Clothes

Elaine W. Ng

Cover art of Boredoms’ 2007 album Super Roots 9. Courtesy EYヨ.

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ONE ON ONE: Teppei Kaneuji on EYヨ

Teppei Kaneuji

Central Wellington and its harbor. Photo by Ulrich Lange.

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DISPATCH: Wellington

K. Emma Ng

Illustration by Coney Leung.

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THE POINT: Not at Home in the World

Paul Pfeiffer

Installation view of the section titled “Transformation” in the exhibition “Everywhen: The Eternal Present in Indigenous Art from Australia” at Harvard Art Museums, Cambridge, 2016

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A Separate Piece

HG Masters

Participants of March Meeting 2016’s first panel discussion, “Engagement and the Responsive Institution”: (from left to right) Anna Cutler (Director of Learning, Tate, UK), Sheikha

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Rising Above

Denise Tsui

Portrait of Chiharu Shiota. Courtesy the artist.

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Chiharu Shiota

Susan Acret

Portrait of Pallavi Paul. Photo by Tenzing Lekmon. Courtesy Khoj International Artists Association, New Delhi.

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Pallavi Paul

Kerstin Winking

THE CLOSET (detail), 1997/2015, mixed-media installation, dimensions variable, installed at Salt Galata, Istanbul, 2015. Photo by Ali Erdemci.Unless stated otherwise, all images co

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Hale Tenger: Tragedy and Farce

HG Masters

Composite of floor plans mapping the exhibition “Dies Irae / A theater in the public spaces in the city,” in Iwaki, 2015. Courtesy Chaos*Lounge.Unless stated otherwise, all images

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After the Quake

Hitomi Hasegawa

Detail of the wallpaper from the exhibition “Dazzler” at former artist-run space The Duchy for the 2012 Glasgow International Festival of Visual Art. Photo by Alan Dimmick.Unless s

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Pio Abad: Powerful Stuff

Marlyne Sahakian

Photo showing the interior of Sàn Art’s Reading Room—a non-lending archive of resources on contemporary art practices that is accessible free of charge for use by the general publi

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INSIDE BURGER COLLECTION: A Fictional Account

Tra Nguyen

WALID RAAD, Let’s be honest, the weather helped_Saudi Arabia, 1998/2006, Pigmented inkjet print, 46.8 x 72.4 cm. Collection of Walker Art Center, Minneapolis. Courtesy ICA Boston.

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Boston: Walid Raad

HG Masters

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