The Editors

JERSON SAMSON, Penitensya, 2000, oil on canvas, 122 x 122 cm.

Issue

Manila: Faith + The City

Brian Mertens

TADANORI YOKOO, Anya Kouro Red Town, 2001, acrylic on canvas, 163 x 228 cm.

Issue

Tokyo: Tadanori Yokoo

Jennifer Purvis

WANG GONGXIN, Karaoke, 2000, video projection with VCR player and karaoke system.

Issue

Singapore: Compound Eyes

Johan Pijnappel

DACCHI DANG, The Boat, 2001, installation view, Gallery 4A, Sydney.

Issue

Sydney: Dacchi Dang

Adam Geczy

LIM TZAY CHUEN, Space Alteration #7, 2001, The Substation, Singapore, courtesy the artist. Photograph Ruth Soh. © the artist.

Issue

Singapore: New Criteria

Peter Schoppert

BOOK REVIEWS: Contemporary Korean Art

Issue

BOOK REVIEWS: Contemporary Korean Art

En Young Ahn

ANDREAS SCHMID, Urban Tattoo II, 1998-2001, multimedia.

Issue

Hong Kong: Synchronize

Alice Ming Wai Jim

WANG PENG, Passing Through, 1997, thread performance, New York.

Issue

Translated Acts: Asian Performance Art

Merrily Kerr

XU BING, Monkeys Grasp for the Moon, 2001, fibreglass, wood, dimensions variable, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC.

Issue

Xu Bing: Cultural translator

Jonathan Goodman

NILIMA SHEIKH, When Champa Grew Up—12, 1984, tempera on paper, 30.2 x 40.5 cm, New Walk Museum and Art Gallery, Leicester.

Issue

Conversations: Nilima Sheikh and Shahzia Sikander

Lilly Wei

Seated image of Amitabha (Amida) Buddha, Japan, Heian period (794-1185), 11th century- 12th century, nutmeg wood with black lacquer and some gilding, 53.5 cm, Art Gallery of New So

Issue

Buddha: Radiant awakening

Adam Geczy

LIM OK-SANG, Unification Train for the 21st Century, 2000, installation.

Issue

The Wow Projects: Putting Art Into Circulation

Robert J. Fouser

MASATO NAKAMURA, Minimal Shelves, 2001, lightboxes, each 180 x 260, Courtesy the artist and SCAI The Bathhouse, Tokyo.

Issue

Neo-Tokyo: Japanese Art Now

Larissa Hjorth

7th International Istanbul Biennial, 2001, installation view, Hagia Eirene Museum, Istanbul

Issue

Between the East and West: the 7th International Istanbul Biennial

Motoaki Hori

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