The Editors

'In Correct Syntax', installation View, Nexus Gallery, Adelaide, 2001.

Issue

In Correct Syntax

Pamela Zeplin

TOYO ITO, Blurring Architecture, 2001, installation view, dimensions variable.

Issue

Toyo Ito

Sarah Treadwell

Fiona Foley

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Fiona Foley

Stuart Koop

VIVAN SUNDARAM, A Retake of the Sher-Gil Archive: Stills from 'Amrita', 2001, digital photomontage.

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Rotterdam: Unpacking Europe

Johan Pijnappel

JERSON SAMSON, Penitensya, 2000, oil on canvas, 122 x 122 cm.

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Manila: Faith + The City

Brian Mertens

TADANORI YOKOO, Anya Kouro Red Town, 2001, acrylic on canvas, 163 x 228 cm.

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Tokyo: Tadanori Yokoo

Jennifer Purvis

WANG GONGXIN, Karaoke, 2000, video projection with VCR player and karaoke system.

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Singapore: Compound Eyes

Johan Pijnappel

DACCHI DANG, The Boat, 2001, installation view, Gallery 4A, Sydney.

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Sydney: Dacchi Dang

Adam Geczy

LIM TZAY CHUEN, Space Alteration #7, 2001, The Substation, Singapore, courtesy the artist. Photograph Ruth Soh. © the artist.

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Singapore: New Criteria

Peter Schoppert

BOOK REVIEWS: Contemporary Korean Art

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BOOK REVIEWS: Contemporary Korean Art

En Young Ahn

ANDREAS SCHMID, Urban Tattoo II, 1998-2001, multimedia.

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Hong Kong: Synchronize

Alice Ming Wai Jim

WANG PENG, Passing Through, 1997, thread performance, New York.

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Translated Acts: Asian Performance Art

Merrily Kerr

XU BING, Monkeys Grasp for the Moon, 2001, fibreglass, wood, dimensions variable, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC.

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Xu Bing: Cultural translator

Jonathan Goodman

NILIMA SHEIKH, When Champa Grew Up—12, 1984, tempera on paper, 30.2 x 40.5 cm, New Walk Museum and Art Gallery, Leicester.

Issue

Conversations: Nilima Sheikh and Shahzia Sikander

Lilly Wei

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