The Editors

YONG SOON MIN, The Bridge of No Return, 1997, mixed-media installation, 244 x 731.5 cm.

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Yong Soon Min

Jonathan Goodman

Turandot, Beijing, 1998, the imperial edict declaring the will of Princess Turandot, Act 1.Photograph Guido Mangold.

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Turandot

Francesca Dal Lago

Rue Galliéni, one of the venues for the Third Biennale of Contemporary Art, Noumea.

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Noumea - Tokyo

Julie Ewington

GRANT TAKLE, Taken, 1998, black and galvanised enamel on plywood, 240 x 160 cm, courtesy Brooke Gifford Gallery, Christchurch.

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Degrees of Separation

Lara Strongman

ZHU JIA, Related to Environment, 1997 (detail), video still. Photograph Sarah Blee

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Speechless

Hannah Fink

Charles McPhee with Self-portrait, c.1985, oil on velvet, 60 x 40 cm

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Velvet Dreams

Lisa Taouma

JOHN WONG, How Far Can I Go?, 1998, video, plastic boxes, paper, dimensions variable.

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Process and Politics

Iola Lenzi

ZUNZI WONG, Lee Garden, 1998 (detail) computer image

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Misunderstanding Art

Lee Weng Choy

MAREE HORNER, Diving Board, 1974 (reconstruction 1998), mixed media, dimensions variable. Collection GovettBrewster Art Gallery, New Plymouth.

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Action Replay

Tony Green

BILL HAMMOND, Watching for Buller, 1993, acrylic on canvas, 100 x 120 cm, Wallace Trust Collection, Auckland.

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Bill Hammond Paints New Zealand

Allan Smith

AVA SEYMOUR, Valley of the Fruitcakes, 1997, colour photograph of collage, 75 x 95 cm.

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The End of Improvement

Robert Leonard

DANIEL MALONE and DENISE KUM, Kum of Sum Yung Guy, 1997, video installation, dimensions variable, courtesy the artists.

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Going East

Richard Dale

THEO SCHOON, Untitled, c. 1957 (detail), gouche on paper, laid on board, 115 x 85 cm. Collection Jenny Gibbs, Auckland

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THEO SCHOON

Damian Skinner

MICHAEL PAREKOWHAI, They Comfort Me Too, 1994, wood, acrylic, 182 x 325.5 cm. Collection Dunedin Public Art Gallery.

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The Indefinite Article

Jim and Mary Barr

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