The Editors

ASMA MUNDRAWALA, Reigning Roses, 1997, oil and gold leaf on modelling paste, plaster and board, 35.5 x 15.2 cm;

Issue

A Particular Language

Quddus Mirza

CHRISTINA WIRIHANA, YVONNE KOOLMATRIE AND VIRGINIA KAISER, Djamu Weaving, 1998, flax, 780 x 130 cm, woven for the opening of Djamu Gallery. Photograph lan Hobbs

Issue

Gallery Report: Djamu Gallery

Benjamin Genocchio

YAYOI KUSAMA, In the Mid-Afternoon, 1998, mixed media, chair: 105 x 92 x 115 cm; table: 70 x 43 x 43 cm, courtesy Robert Miller Gallery, New York.

Issue

Yayoi Kasuma

Jonathan Goodman

JOHN SlUNE, Australia Aid at the Aitape Disaster, 1998, acrylic on canvas, 112 x 155 cm, courtesy October Gallery, London.

Issue

New Colours

Robert Preece

General view looking south from Lor Chuan. Colour photographs from the 'The Bodiless Dragon' series, published in Singapore: Views on the Urban Landscape (1998), a collection of Jo

Issue

Representation as Detour: Three Anecdotes about Singapore Art

Lee Weng Choy

TANG DA WU, Tigers Whip, 1991, performance. Photograph Koh Nguang How.

Issue

Of Commodities and Kings: Tang Da Wu's serious play with psycho-geography and public memory

Lucy Davis

SHIGERU BAN, Paper Log House, 1999, site-specific house, cardboard tubes, beer crates.

Issue

Cities on the Move: A dialogue between curators and artists

Hou Hanru, Hans-Ulrich Obrist

HONG HAO, Beijing No. 2,1998, colour photograph, dimensions unknown;

Issue

Discourse and Displacement: Contemplating Beijing's urban landscape

Xiaoping Lin

KATSUYA KOMAGATA, above: Catching a Mermaid, 1998, oil on linen, 146.05 x 102.87 cm, courtesy Taka Ishii Gallery, Santa Monica, below: Dance of the Passion Flower, 1996, paper, gla

Issue

Katsuya Komagata

Collette Chattopadhyay

MATHIAS KAUAGE, Civil War in Bougainville, 1999, acrylic on canvas, 120.5 x 183.5 cnn, courtesy Ray Hughes Gallery, Sydney.

Issue

Mathias Kauage

Victoria Hynes

SOONJA OH KIM, Two Figures - H&W, 1998, aluminium, muriatic acid, ink, 177.8 x 116.84 x 10.16 cm, courtesy Boritzer/Gray/Hamano Gallery, Santa Monica.

Issue

Soonja Oh Kim: Figuration

Collette Chattopadhyay

VINOD DAVE, The Divine Witness, 1998, mixed media, 173 x 150 cm, courtesy Bose Pacia Modern, New York.

Issue

Vinod Dave: Reflections on Indian Popular Culture

Karin Miller-Lewis

ANJU DODIYA, Triumph of the Erasers, 1998, watercolour, 76.2 x 55.8 cm.

Issue

Anju Dodiya

M.A. Greenstein

WANG XINGWEI, God, Art, Cigarettes, 1997, industrial paint on canvas. Photograph John Ryan.

Issue

Going underground: The Corruptionists

Julian Scarff

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