The Editors

SHANE COTTON, Whakakitenga ki Kenehi, 1998, oil on canvas, 200 x 150 cm. Gow Family Collection, Auckland.

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LOCATING Shane Cotton

Imants Tillers

JIM SPEERS, If You're Not Feeling 100%, 1998, vinyl, acrylic, fluorescents, 160 x 240 x 20 cm

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Jim Speers

William McAloon

MAX GIMBLETT, Moon Vessel, 1997-98, gesso, black clay, water-gilded silver and lacquer on wood panel, 131 x 235 cm.

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Max Gimblett

Wystan Curnow

ROSS T. SMITH, Hokianga Series, 1997-98, colour photograph, 100 x 100 cm.

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Ross T. Smith

Justin Paton

JULIAN DASHPER, The Twist, 1998, installation view, vinyl on drumheads, courtesy Waikato Museum of Art and History, Hamilton. Photograph Andrew Babe.

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Julian Dashper

Kelly Carmichael

JUDY DARRAGH, Love Songs 'til Midnight, 1998-99 (detail), installation view, acrylic on offset-printed posters, dimensions variable.

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Judy Darragh

Megan Dunn and David Townsend

PUTLI GANJU, Snake, 1998, black earth, red iron and white clay on paper, 72 x 55 cm.

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Indigenous Exchange

Morris O'Riordan

LEIGH DAVIS, Station of Earth-Bound Ghosts, 1998 (detail), mixed-media installation, dimensions variable Photograph Patrick Reynolds.

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Leigh Davis

Wystan Curnow

ROSALIE GASCOIGNE, Solitude, 1997, reflective street signs, wood, 106 x 89 cm, courtesy Roslyn Oxley9 Gallery, Sydney.

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Toi Toi Toi

Louise Garrett

Teststrip Rests in Peace, 1999, photograph Ann Shelton

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Testing Ground

Stella Brennan

MARIKO MORI, Dream Temple, 2002, installation, Museum of Contemporary Art, Tokyo. Photograph Shigeo Muto.

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Mariko Mori

Collette Chattopadhyay

PUSHPA D. MURTHY, Rangoli, 1998, rangoli and coloured powder, dimensions variable.

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Devotion

Morris O'Riordan

MAYA LIN, installation view, front: Untitled, 1997 (detail), particle board, dimensions variable; back: Avalanche, 1997, glass shards, dimensions variable, courtesy Grey Art Galler

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Maya Lin

Gregory Galligan

Interior view, featuring work from The First Fukuoka Triennale of Asian Art 1999. Photograph Makoto Murata.

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Asia as an Art Museum

Makoto Murata

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