The Editors

RIEKO HIDAKA, Looking Up the Trees II, 1989 (detail), pigment on paper, 220 x 360 cm. Photograph Monash University Gallery.

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Rieko Hidaka

Rachel Kent

VASAN SITTHIKET, Blacklist, 1997, exhibition view.

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Vasan Sitthiket

Robert Preece

ZHU JINSHI, Tao of Rice Paper, 1997, rice paper, metal and bamboo hoops, dimensions variable.

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Zhu Jinshi

Paula Gustafson

DEBRA PORCH, Secrets = Stories, 1997, installation, velvet, rayon, paint and buckets, dimensions variable.

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Meetings

Philip O'Toole

Camera Indica

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Camera Indica

Daniel Herwitz

Expressions and Evocations

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Expressions and Evocations

Zoja Bojic

ANITA DUBE, Silence (Blood Wedding), 1997 (detail), mixed-media sculptures, dimensions variable.

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Telling Tales

Antonia Carver

LAXMA GOUD, Untitled, 1993, pencil on paper, 40 x 54 cm.

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Epic Reality

Robert Lunday

LIN TIAN-MIAO, The Profileration of Thread-winding, 1995, installation view, wooden bed, eiderdown, balls, 20,000 needles, thread, Chinese traditional paper, television and VCR.

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Between Here and There

Vasif Kortun

SHU LEA CHEANG, Buy One Get One, 1997, Internet homesteading project.

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Dis/communication

Fumihiro Nonomura

KIM YOUNG-JIN, Secretion, 1997, installation view.

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Fast Forward

Lisa Gabrielle Mark

KI-WON PARK, Duration of Sense, 1997, installation view, vinyl, dimensions variable, Centre for Contemporary Photography, Melbourne.

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Making Sense

Natalie King and Kim Hye Kyung

CHEN PING, The Mountain Hut of Fei Wa, 1997, ink on paper, 60 x 60 cm.

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New Literati Painting

Francesca Dal Lago

OSCAR HO, Violation, 1994, mixed media, dimensions variable.

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Hong Kong Report

Alison Bennett

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