The Editors

QU YE YONG QING, Anxieties Add to Woes, Expressions of Love, Black Tree Trunk, Disgusting, Rosy Clouds, Fantasy, 1994,mixed media on silk, each 110 x 28 cm.

Issue

Contemporary art from China, Japan and Vietnam

Susan Bright

JACQUELINE FRASER, The Raising of the Noxious, 1998 (detail), black netting, garden wire, electrical wire, 220 x 830 cm.

Issue

Pasifika

Philip O'Toole

SHIMABUKU, Beginning Drawing No. 4,1998, watercolour on paper, 73 x 103 cm.

Issue

Shimabuku

Daisuke Miyatsu

LUISE FONG, System, 1998, acrylic, gesso, carborundum on canvas, 46 x 61 cm, courtesy John Batten Gallery, Hong Kong.

Issue

Luise Fong

Scarlet Cheng

ANI O'NEILL, Cottage Industry, 1997, wool, acrylic, stainless steel, dimensions variable.

Issue

Ani O'Neill

Anna Miles

NALINI MALANI, The Alchemist's Robe, 1994-95, watercolour andenamel on mylar, 240 x 153 cm, private collection. Photograph Prakash Rao.

Issue

Nalini Malani: The Medeaprojekt

Suhanya Raffel

Southeast Asian Art: A New Spirit

Issue

Southeast Asian Art: A New Spirit

Iola Lenzi

TOMOYOSHI MURAYAMA, A Jewish Girl, 1922, oil, wood, hair, 40.2 x 26.8 cm, the National Museum of Modern Art, Tokyo.

Issue

Mobo Moga: Modernity in Japanese Art 1910-1935

Kae Shingeno

QUI TI, Rag Doll, 1939, oil on canvas, 50 x 40 cm.

Issue

A silent revolution? Chinese women's art in Beijing

Francesca Dal Lago

BAYU UTOMO RADJIKIN, Long Kacang, 1991, metal and ceramic, 114x 61 x 118 cm, courtesy the National Art Gallery, Malaysia.

Issue

Rupa Malaysia: A decade of Malaysian art in London

Laura Fan

VIRGINIA KING, Pacific Star, 1998, floating sculpture, fourteen carved wooden panels, embossed words, bronze elements, glass balls, handmade nails, dimensions variable.

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Centre Culturel Tjibaou: A new meeting place in the Pacific

Dionissia Giakoumi

ELLEN JOSE, With the Coming of the Light One Size Fits All, 1998, installation, white wooden cross, five mannequins in island dresses, white sand, coral pebbles, dimensions variabl

Issue

Creating together: The inaugural exhibition at Centre Cultural Tjibaou, Noumea

Karen Stevenson

ART THOMPSON, Nuu-chah-nulth Mask Representing Thunderbird in Human Form, 1989, red cedar, cedar bark, eagle feathers, horsehair, copper, leather, nylon twine, plywood, screws and

Issue

Faces from the past: First Nations masks of Canada

Paula Gustafson

TETSUJI AONO, Trophy (Bear), 1998, ceramic, 18 x 25.5 x 20 cm, courtesy Richard Heller Gallery, Los Angeles.

Issue

Virtual daydreams: Three exhibitions of Asian Art in Los Angeles

M. A. Greenstein

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