The Editors

KIM JUNG-HEUN, Seoul Anthem, 1993-5, ink, acrylic, sticker on canvas, 160 x 200 cm.

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Readymade Biennale: More on the Kwangju Biennale

Eleanor Heartney

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The Necessity of Craft: Development and Women's Craft Practices in the Asian-Pacific Region

Ana P. Labrador

CHOI HYUNSOO, The Glove, 1993, collage on canvas, 200 x 200 cm.

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A Korean Artist in Europe: Choi Hyunsoo

Seo Sounjou

CHEN SHUN-CHU, Family Parade, 1995, coral stone house and framed photographs on Pencjhu Island, courtesy IT Park Gallery.

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Made in Taiwan

Sophie Mclntyre

MASATO NAKAMURA (Japan), Frontside of the Backside, 1996, (detail) installation at Pae Saen Temple.

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Through the keynote

Ray Langenbach

SIMEON NELSON, Omphalos, 1991, hardwood, shellac, 108 x 96 x 18 cm, from the exhibition 'Systems End'.

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Australia Month at the Seoul Arts Centre

Alison Carroll

KAO CHUNG-LI, Body, 1987, photograph.

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Asian View - Asia in Transition

Fumio Nanjo

JOYCE CAMPBELL, Terminal, 1995, installation, Artspace, Auckland.

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Bodies in Question

Carole Shepheard

SADASHI INUZUKA, Nature of Things, 1995, clay installation, 6000 square feet.

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Nature of Things: Sadashi Inuzuka

Melanie Boyle

BAYU UTOMO RADJIKIN, Damaged, 1990, oil on wood.

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Bayu Utomo Radjikin

Laura Fan

PINAREE SANPITAK, The Black and the White, 1995, acrylic and pastel on canvas, 200 x 150 cm.

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Three Women

Flaudette May V. Datuin

AHN SUNG-KEUM, La Strada per Buddha, 1995, Buddhist Sutra on canvas, plastic and bronze, flour, dimensions variable.

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You art not here

James B. Lee

The old Vanuatu Cultural Centre showing the namwele plant. Photograph Lissant Bolton.

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An itinerant museum: The new Vanuatu Cultural Centre

Lissant Bolton

Brenwei Dancers at Mini Arts Festival, Vila, Vanuatu. Photograph Lissant Bolton.

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Dance Party

Nicholas Thomas

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