The Editors

RICK BARTOW, Complex My Story (Susanna and the Elders I), 1995, pastel and graphite on paper, 101.5 x 66 cm, courtesy Froelick Adelhart Gallery, Portland

Issue

Burning Bridges

Michael Hayes

EDGAR HEAP OF BIRDS, Vacant, 1994, marker on rag, 198 x 305 cm, courtesy Saint Louis Art Museum.

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Sixteen words

Debra Parr

YUK KING TAN, Ping, 1995, mixed media, 163 x 140 x 14 cm, courtesy the artist and Sue Crockford Gallery.

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New Zealand Neuroses

Elizabeth Knox

PABLO PICASSO, Massacre in Korea, 1951, oil on canvas, 109.5 x 209.5 cm. Collection Musée Picasso, Paris. © Succession Picasso/DACS 1996.

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From Chosun Dynasty to Segehwa: A Cultural Mapping Of Contemporary Korea

Roe Jae-ryung

CHOI JEONG-HWA, The Death of the Robot- About Being Irritated, 1995, fabric, air compressor, oil pressure equipment, movement timer, CD player and speakers, 500 x 700 x 200 cm. Pho

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Videomatic: The momentum of contemporary Korean art

Kim Hyun-do

NAM JUNE PAIK, Greene 3,1995, radios, record, 89 x 88 x 25 cm, courtesy Gallery Hyundai, Seoul.

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PortaPaik

Rhee Jong-soong

KIM SOO-JA, Lying on Nature, 1994, cloth, installation Oksan-Soewon Valley, Kyungju.

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Baubles, Bangles and Beads

Kim Sun-jung

PARK SEO-BO, Ecriture No 41,1978, pencil and oil on hemp cloth, 184.5 x 300 cm.

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Painting Nothing: Monochrome painting in Korea

Lee Hwaik

LEE SANG-MOON, KIM JUNG-TAE, The Battlefront is Just in Front of Us, 1975, 189 x 290 cm. Collection Chosun Art Museum, Pyung-yang.Paintings that depict stories from the life of the

Issue

The Battlefront is Just in Front of Us: Chosun Painting in North Korea

Suh Sung-rok

SOKHI WAGNER, Simultaneity 1990, photograph, rag board, hinges, 51 x 12.5 x 25.5 cm.

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In the Eye of the Tiger: New Korean art in the United States

Kim Yu-yeon

CHOI JEONG-HWA, Room with a View, 1994, (detail) round plates, brass rice bowls, ornamental statues of trophies, chandelier, 400 x 1 O0 x 100 cm. Collection the artist.

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Flim-Flam And Fabrication

James B. Lee

MASATO NAKAMURA, Navin Gallery Bangkok, 6-31 March 1995, (detail) from

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Navin Rawanchaikul’s Social Research

Anne Kirker

SHEELA GOWDA, Untitled, 1995, cow dung, each .7.5 x 23 x 12 cm.

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Sensuality and Violence in the Art of Sheela Gowda

Victoria Lynn

MRINALINI MUKHERJEE, Van-Raga II, 1991-94, hemp, 240 x 265 x 102 cm. Photograph Ranjit Singh.

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The knots are many, but the thread is one

Deepak Ananth

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