The Editors

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True Lies New reportage photography in China

MARK ADAMS, Chalfont Crescent, Mangere, Auckland. Su'a Suluape Petelo, Tufuga Ta Tatau, 1985, cibachrome photograph, courtesy Mark Adams.

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Marked Men

Nicholas Thomas

While waiting to photograph a group of people, Masferré turned around and found this girl watching him. Ngibat, Tinglayan, Kalinga, 1954.

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Masferré and images of the Cordillera identity

Ana P. Labrador

Rotigraphy

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Rotigraphy

Satish Sharma

RUMMANA HUSSAIN, Home/Nation, 1996 (details), photographs, Urdu text on handmade paper.

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HOME NATION

Kamala Kapoor

Pacific Sisters performing at the Pageant of Costumes, photograph Karen Stevenson

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Wicked Magic

Karen Stevenson

Solaūa Salūatata, Western Samoa, 1996. Left to right: Gickmai Kundun (Papua New Guinea), Huhana Smith (Aotearoa), Sue Pearson (Norfolk Island), Tom Pico (Hawaii) and Judy Watson (A

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Back to Basics

Stefan von Reiche

MOMOE VON REICHE, Horses Heads, 1996, acrylic on canvas, 145 x 175 cm, photograph Maud Page.

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Treasure Trove

Maud Page

Tuba-Rai Metin, installation view, Museum of/ Contemporary Art, Sydney, 1996, photograph Peter Nuchtern.

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Weaving Tales

Jo Holder

FAIZAL, Travelling in the Blue Car, 1993, oil on canvas, 50 x 40 cm.

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Bali High Art

Adrian Vickers

JAMES ESELI, Fighter Headdress, 1993, collection Jean-Marie Tjibaou Cultural Centre, photograph David Becker.

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Blood Brothers

Maillot Win-Nemou Sandra

Fiona Hall (Australia) and Nalini Malani (India) in front of Container 96, photograph Shaila Parikh.

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Art Across Oceans

Kamala Kapoor

OCEAN EARTH, Ocean Earth/Tokyo Bay, 1996, 'Atopic Site', photograph Takashi Otaka.

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A Topical Site

Fumihiro Nonomura

MIKE PARR, Remnants of the Self Portrait Project, 1994, installation view, Hakone Open-Air Museum, Kanagawa-ken.

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Systems End

Toshio Shimizu

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