The Editors

GAlL BAKUTIS, Dream Tablet I, 1995, paper, clay, 66 x 53 x 2.5 cm. Photograph Tibor Franyo.

Issue

Not Venice, Hawaii

Marcia Morse

PETER PERYER, Dead Steer (Waikato), 1987, 24 x 24 cm, reproduced on the cover of the catalogue for 'Second Nature'.

Issue

Kowtowing to Commerce

Ann Elias

Cover of Signals magazine, vol. 1, no. 7, 1965.

Issue

Locating David Medalla

Ana P. Labrador

HANH THI PHAM, Lesbian Precepts, 1995, mixed media, 244 x 213 x 30.5 cm. Photograph Daniel Mirer.

Issue

Disorienting Territories

Alice Yang

ZHANG HUAN, 12m2, May 13, 1994, Beijing. Photograph Ai Weiwei.

Issue

Beyond The Cynical

Hou Hanru

CAVELLINI and SHOZO SHIMAMOTO, performance at Shitennoji, 1986, Osaka, courtesy Shozo Shimamoto.

Issue

The post-colonial body in contemporary Japanese art

Hisashi Muroi

MIKE PARR, Daybreak, 1995. Photograph Neal Oshima.

Issue

The Artist Dances

David Bromfield

MIKE PARR, Daybreak, 1995. Photograph Neal Oshima.

Issue

The Perils of Performance

Patrick Flores

Specific clan identity and acknowledgement of achievement is demonstrated in the bilas of this dancer from Mekeo (Central Papua) Photograph Cochrane PNG Archives, University of Wo

Issue

Metaphors of Identity

Michael A. Mel

Pekara Tanah, ‘Land Issues’ exhibition T-shirt, 1995. Photograph Astri Wright.

Issue

A Taste of Soil

Astri Wright

Masami Teraoka at work, 1986.

Issue

Panoramic Teraoka

Lynda Hess

Postcards as Signatures of Place

Issue

Postcards as Signatures of Place

Caroline Vercoe

BRENDA L CROFT, Strange Fruit- Billie, 1994, each 29 x 23.5 cm, cibachrome, courtesy Boomalli Aboriginal Artists Co-operative.BRENDA L CROFT, Strange Fruit- Walyer, 1994, each 29 x

Issue

Strange Fruit

Hetti Perkins

Singapore Art Museum

Issue

Singapore Art Museum

Susie Wong

See all