The Editors

MIKE PARR, Daybreak, 1995. Photograph Neal Oshima.

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The Perils of Performance

Patrick Flores

Specific clan identity and acknowledgement of achievement is demonstrated in the bilas of this dancer from Mekeo (Central Papua) Photograph Cochrane PNG Archives, University of Wo

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Metaphors of Identity

Michael A. Mel

Pekara Tanah, ‘Land Issues’ exhibition T-shirt, 1995. Photograph Astri Wright.

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A Taste of Soil

Astri Wright

Masami Teraoka at work, 1986.

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Panoramic Teraoka

Lynda Hess

Postcards as Signatures of Place

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Postcards as Signatures of Place

Caroline Vercoe

BRENDA L CROFT, Strange Fruit- Billie, 1994, each 29 x 23.5 cm, cibachrome, courtesy Boomalli Aboriginal Artists Co-operative.BRENDA L CROFT, Strange Fruit- Walyer, 1994, each 29 x

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Strange Fruit

Hetti Perkins

Singapore Art Museum

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Singapore Art Museum

Susie Wong

JIN WEIHONG, Figure Paintings, Chinese ink on paper.

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Beijing Report

Susan Dewar

DAN RARALIO, Mental Block, 1995, synthetic marble and steel, 17 x 64.5 x 49 cm.

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Pillow Talk

Rachel Mayo

MAGDALENA ABAKANOWICZ, Geminati, 1990, birch branches, gauze, burlap and wire (foreground); Infantes, 1992, thirty-three burlap resin figures (background).

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After Hiroshima

Tsukasa Kodera

DOMENICO DE CLARIO, Seven-ness: Sub Lunar, April-October 1995, performance, Museum of Modern Art Heide.

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Early Morning llluminations

Traudi Allen

TAWATCHAI PUNTUSAWASDI, Standing Egg, 1994, wood, water, steel, 350 x 210 x 70 cm, 1995 Osaka Triennale.

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Osaka Triennale 1995

John Clark

VASAN SITTHIKET, Committing Suicide Culture: The Only Way Thai Farmers Escape Debt, 1995, plywood, metal, rope, 250 x 400 x 150 cm. Photograph Norihiro Veno.

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Asian Modernism: Diverse Developments in Indonesia, the Philippines and Thailand

Toshio Shimizu

JOSEPH BEUYS, Die Horner (The Horns), 1961,145 cm high.

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Art in trouble with the law in Hong Kong

David Clarke

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